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Michel Reis: For A Better Tomorrow
by Brian Morton
It's always possible to get hung up on definitions, or metaphors. In modern jazz terms the most famous description of a piano is probably Cecil Taylor's “88 tuned drums," a clever way of characterising the instrument's percussive power and of removing it from the strong gravitational pull of European art music. I've always preferred Leigh Hunt's ...
Willie Morris: Unbound Inner
by Willie Morris
This album is a culmination of much more than just the compositions, the solos, or the time spent in the studio. It is the coming together of many years of life experience between the musicians featured, the producers, the engineers, and hopefully the listeners. It is a small piece added to an ongoing stream of conscious ...
Altin Sencalar: Unleashed
by Altin Sencalar
Unleashed is an album that captures my overall headspace as an individual. This year I turned 30 years old and welcomed my firstborn child into the world, John Altin Sencalar. Two major milestones in any person's life, but especially mine this year. Unleashed represents my playing, my personality, and my overall attitude towards my career development. ...
Fractal Sextet: Sky Full Of Hope
by Mike Jacobs
Calling Stephan Thelen's music an extension of the Swiss Minimalist movement may have once seemed appropriate. However, in the years since his band Sonar and Fractal Guitar projects have come to the fore, that characterization has increasingly become inadequate. Proximity, influence, and linkages exist but Thelen's copious activities in the last decade show such a deepening ...
Hindsight: Enrico Pieranunzi, Marc Johnson and Joey Baron
by Brian Morton
Sometimes we're reduced to throwing down old bones and seeing what messages they deliver back. Maybe noticed at the time, but the recording of Hindsight, by the trio of maestro Enrico Pieranunzi, master bassist Marc Johnson and time-lord Joey Baron took place almost exactly sixty years after one of the most famous jazz piano sessions of ...
Eleonora Strino: Matilde
by Brian Morton
There isn't much training around for young arts interviewers, but one bit of advice that is usually thrown out is never to ask “Where do you get your ideas?" It's a seemingly banal question that can only attract banal--and sometimes very sarcastic--answers. And yet sometimes, in context, it's exactly the right question to ask. More often ...
Ben Patterson Jazz Orchestra: Mad Scientist Music
by Dan Bilawsky
"Mad Scientist Music"--the tag that Harry Schnipper, owner of venerated D.C. jazz venue Blues Alley, admiringly applied to Ben Patterson's creations--is an apt description for this trombonist's work. Synonymous with pure innovation, the titular field is all about pushing the limits, exploring the unknown, and making bold calculations before throwing caution to the wind and letting ...
Rodney Whitaker: Mosaic: The Music of Gregg Hill
by Michael Dease
At just fifty-six years young, Rodney Whitaker has cemented his legendary status as a sought-after bassist extraordinaire and, arguably the pre-eminent jazz educator of his generation. The Detroit, Michigan native, recently elected to the hallowed ranks of the American Academy of Arts and Sciences, that includes such innovators as Benjamin Franklin and Dr. Martin Luther King ...
One For All: Big George
by C. Andrew Hovan
The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the ...
Nanami Haruta: The Vibe
by Willard Jenkins
Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive--perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at ...
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