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Article: Liner Notes

James Moody: 80 Years Young - Live at the Blue Note, March 26, 2005

by Todd Coolman
May 21, 2025

It's an absolute thrill to share the memories of an unforgettable night--James Moody's 80th birthday celebration at the legendary Blue Note in New York City in 2005. This was the grand finale of a weeklong celebration that had already featured amazing performances from jazz giants like Jimmy Heath, Ray Barretto, Mike Longo, and George Wein. This ...

Article: Liner Notes

Jordan VanHemert: Survival of the Fittest

by Gary Fukushima
May 20, 2025

For most of his life, Jordan VanHemert has been on a quest of growth and mastery as a saxophonist, composer and musician. But equally important have been his efforts to contextualize some of the difficulties of his life experiences within the deeper themes of his DNA, discovering in the process resilience, optimism and joy. Jordan's music ...

Article: Liner Notes

Czarakcziew and the Jazz Cats: A Tribute to Fred Katz

by Pawel Czarakcziew
May 20, 2025

I've always thought that musicians (if they are sincere), draw from the same source. No matter what genre (classical, jazz, rock) they are in, it's the same well. In my book The Seekers--Meetings with Remarkable Musicians, I write a chapter on Fred Katz, my old college professor and more importantly, the cello player in the Chico ...

Article: Liner Notes

Steve Allee: Naptown Sound

by Steve Allee
May 8, 2025

Submitted on behalf of Kyle Long, Producer/Host at WFYI in Indianapolis.If you ask the average music fan to name the greatest jazz cities in America, it's unlikely that Indianapolis would top their list. That's a shame, as those familiar with the city's history know better. They see the unique fingerprints of Indianapolis musicians across ...

Article: Liner Notes

Altin Sencalar: Unleashed

by C. Andrew Hovan
April 19, 2025

Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...

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Article: Liner Notes

Antonio Carlos Jobim et al: Focus On Bossa Nova

by Arnaldo DeSouteiro
April 16, 2025

This is a trip into the world of bossa nova. Or the worlds of bossa nova. For the style that made Brazilian music so respected and famous all over the world has some subdivisions that coexist among its universe. Bossa nova ranges from the cool/introspective/airy sounds patented by Joao Gilberto in the late Fifties, to a ...

Article: Liner Notes

Verve's Bossa Nova U.S.A.

by Arnaldo DeSouteiro
April 15, 2025

Paul Desmond: Samba with Some Barbecue Originally titled “Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach ...

Article: Liner Notes

Sergio Armaroli: Introducing A Very Heavy Person, First Visit

by Mark Corroto
April 13, 2025

If you reject the assumption that time is linear, the ability to conceive of a time machine is simple. Assume for this discussion that the concepts of past, present, and future are a false dichotomy. In other words, the past and the future simultaneously occur with the present. Composer and percussionist Sergio Armaroli accepts this premise ...

Article: Liner Notes

Dock in Absolute: [Re]Flekt

by Brian Morton
March 10, 2025

I wonder if I'd get away with it? An old friend was famous for his ability to turn out newspaper columns at lightning speed and with no notice, often after a generous lunch that had stretched on until near deadline time. He'd gruffly concede that yes, that's what they paid him for, yank out a few ...

Article: Liner Notes

Francesco Bearzatti and Federico Casagrande: And Then Winter Came Again

by Brian Morton
March 9, 2025

This liner-note begins, unusually, with a charitable appeal. Music reviewers and critics labour in obscure conditions, but this is not an appeal for better pay or more respect. Many of these poor souls suffer from a deeply embarrassing ailment that directly bears on their ability to function at all. As first the co-author and later sole ...