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Czarakcziew and the Jazz Cats: A Tribute to Fred Katz
by Pawel Czarakcziew
I've always thought that musicians (if they are sincere), draw from the same source. No matter what genre (classical, jazz, rock) they are in, it's the same well. In my book The Seekers--Meetings with Remarkable Musicians, I write a chapter on Fred Katz, my old college professor and more importantly, the cello player in the Chico ...
Steve Allee: Naptown Sound
by Steve Allee
Submitted on behalf of Kyle Long, Producer/Host at WFYI in Indianapolis.If you ask the average music fan to name the greatest jazz cities in America, it's unlikely that Indianapolis would top their list. That's a shame, as those familiar with the city's history know better. They see the unique fingerprints of Indianapolis musicians across ...
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
Antonio Carlos Jobim et al: Focus On Bossa Nova
by Arnaldo DeSouteiro
This is a trip into the world of bossa nova. Or the worlds of bossa nova. For the style that made Brazilian music so respected and famous all over the world has some subdivisions that coexist among its universe. Bossa nova ranges from the cool/introspective/airy sounds patented by Joao Gilberto in the late Fifties, to a ...
Verve's Bossa Nova U.S.A.
by Arnaldo DeSouteiro
Paul Desmond: Samba with Some Barbecue Originally titled “Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach ...
Sergio Armaroli: Introducing A Very Heavy Person, First Visit
by Mark Corroto
If you reject the assumption that time is linear, the ability to conceive of a time machine is simple. Assume for this discussion that the concepts of past, present, and future are a false dichotomy. In other words, the past and the future simultaneously occur with the present. Composer and percussionist Sergio Armaroli accepts this premise ...
Dock in Absolute: [Re]Flekt
![Read "Dock in Absolute: [Re]Flekt" reviewed by Brian Morton](https://s3.amazonaws.com/allaboutjazz/coverart/large/7c9de437021a8f91187845967a95dfdf.jpg)
by Brian Morton
I wonder if I'd get away with it? An old friend was famous for his ability to turn out newspaper columns at lightning speed and with no notice, often after a generous lunch that had stretched on until near deadline time. He'd gruffly concede that yes, that's what they paid him for, yank out a few ...
Francesco Bearzatti and Federico Casagrande: And Then Winter Came Again
by Brian Morton
This liner-note begins, unusually, with a charitable appeal. Music reviewers and critics labour in obscure conditions, but this is not an appeal for better pay or more respect. Many of these poor souls suffer from a deeply embarrassing ailment that directly bears on their ability to function at all. As first the co-author and later sole ...
Michel Reis: For A Better Tomorrow
by Brian Morton
It's always possible to get hung up on definitions, or metaphors. In modern jazz terms the most famous description of a piano is probably Cecil Taylor's “88 tuned drums," a clever way of characterising the instrument's percussive power and of removing it from the strong gravitational pull of European art music. I've always preferred Leigh Hunt's ...
Willie Morris: Unbound Inner
by Willie Morris
This album is a culmination of much more than just the compositions, the solos, or the time spent in the studio. It is the coming together of many years of life experience between the musicians featured, the producers, the engineers, and hopefully the listeners. It is a small piece added to an ongoing stream of conscious ...
