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Something Blue: In The Beginning
by Michael Ambrosino
Jazz is powered by many things. Perhaps most notably, the expansive variety of independent record labels representing some of the more inspiring aspirations of the idiom. Reflecting the grit, passion and often sheer audacity to exist within an industry that makes little room for jazz, independent labels have established an expanse of music that exemplifies the ...
Kevin Goss: Gratitude
by Kevin Goss
As I approached the “big five-oh," I started doing some thinking about how much I have to be grateful for: a supportive family, meaningful friendships, and music. I wasn't supposed to make it to the “big oh-five," but I beat the odds and, in the years since, it is my family, friends, and music that have ...
Daniel Garbin: Rising
by Freddie Bryant
The maxim that music and math are related is a truism that seldom gets explored in a deep fashion. It lies like a cliché that we take for granted and rarely appreciate. Daniel Garbin's life and music is a true celebration of that relationship. He is an associate professor with the Department of Mathematics and Computer ...
Daniel Casares: From a Cabin in the Woods
by Daniel Casares
The Autonomous Region of Galicia, Spain has been slowly nurturing a strong jazz scene in recent decades. The extremely accomplished Abe Rábade (piano) and Paco Charlín (bass) crossed the Atlantic Ocean over two decades ago to study at the prestigious Berklee College Of Music in Boston. Upon their return to Galicia they established the “Seminario Permanente ...
Ravita Jazz: Alice Blue
by Raul d'Gama Rose
In the 1939-40 academic year at Harvard University, Igor Stravinsky delivered a series of six lectures in French entitled Poétique musicale sous forme de six leçons. Stravinsky analysed the role of the critic, the requirements of the interpreter and the state of Russian music. He believed that a composer's freedom to create rose from ...
Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited
by Chris May
One way for a musician to conjure rapture is through full-frontal shamanic assault, the sonic equivalent of the Orgasmatron machine that Jane Fonda's character encounters in Roger Vadim's 1968 sci-fi romp Barbarella. Funk is an ideal vehicle. But the sensations produced are superficial and short-lived. A less travelled path instead uses subtlety, understatement and nuance, and ...
Sergio Armaroli Quintet: Follow A Very Heavy Person
by Mark Corroto
Time, as a concept, transforms into an endless playground in the hands of Sergio Armaroli. In Follow A Very Heavy Person, the quintet expands upon the foundations laid in Introducing A Very Heavy Person, delving deeper into the sonic and philosophical dimensions of John Cage and Kenneth Patchen's 1942 experimental radio play, The City Wears A ...
Michael Waldrop: Native Son
by Bill Milkowski
Following two successful big band projects--the swinging and swaggering Time Within Itself and Origin Suite--drummer-composer-bandleader Michael Waldrop has brought things down to a more intimate level on Native Son. In some ways a return to his first album as a leader, 2002's Triangularity, a sterling piano trio outing which he reissued in 2019, Native ...
James Moody: 80 Years Young - Live at the Blue Note, March 26, 2005
by Todd Coolman
It's an absolute thrill to share the memories of an unforgettable night--James Moody's 80th birthday celebration at the legendary Blue Note in New York City in 2005. This was the grand finale of a weeklong celebration that had already featured amazing performances from jazz giants like Jimmy Heath, Ray Barretto, Mike Longo, and George Wein. This ...
Jordan VanHemert: Survival of the Fittest
by Gary Fukushima
For most of his life, Jordan VanHemert has been on a quest of growth and mastery as a saxophonist, composer and musician. But equally important have been his efforts to contextualize some of the difficulties of his life experiences within the deeper themes of his DNA, discovering in the process resilience, optimism and joy. Jordan's music ...
