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Article: Liner Notes

Ben Thomas: The Hat with the Grin and the Chuckle

Read "Ben Thomas: The Hat with the Grin and the Chuckle" reviewed by Hector Del Curto

by Hector Del Curto

Ben Thomas' music lives in a world where tradition and innovation meet with effortless grace. Deeply rooted in the authentic rhythms of Argentine tango, yet fearlessly modern in spirit, his compositions offer a rich tapestry of layered polyrhythms, inventive melodies, and surprising contrasts--all delivered with intelligence, playfulness, and deep emotional weight. From the very ...

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Article: Liner Notes

Hank Crawford: Help Me Make It Through The Night

Read "Hank Crawford: Help Me Make It Through The Night" reviewed by Arnaldo DeSouteiro

by Arnaldo DeSouteiro

One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded  for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums ...

1

Article: Liner Notes

Something Blue: In The Beginning

Read "Something Blue: In The Beginning" reviewed by Michael Ambrosino

by Michael Ambrosino

Jazz is powered by many things. Perhaps most notably, the expansive variety of independent record labels representing some of the more inspiring aspirations of the idiom. Reflecting the grit, passion and often sheer audacity to exist within an industry that makes little room for jazz, independent labels have established an expanse of music that exemplifies the ...

1

Article: Liner Notes

Kevin Goss: Gratitude

Read "Kevin Goss: Gratitude" reviewed by Kevin Goss

by Kevin Goss

As I approached the “big five-oh," I started doing some thinking about how much I have to be grateful for: a supportive family, meaningful friendships, and music. I wasn't supposed to make it to the “big oh-five," but I beat the odds and, in the years since, it is my family, friends, and music that have ...

2

Article: Liner Notes

Daniel Garbin: Rising

Read "Daniel Garbin: Rising" reviewed by Freddie Bryant

by Freddie Bryant

The maxim that music and math are related is a truism that seldom gets explored in a deep fashion. It lies like a cliché that we take for granted and rarely appreciate. Daniel Garbin's life and music is a true celebration of that relationship. He is an associate professor with the Department of Mathematics and Computer ...

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Article: Liner Notes

Daniel Casares: From a Cabin in the Woods

Read "Daniel Casares: From a Cabin in the Woods" reviewed by Daniel Casares

by Daniel Casares

The Autonomous Region of Galicia, Spain has been slowly nurturing a strong jazz scene in recent decades. The extremely accomplished Abe Rábade (piano) and Paco Charlín (bass) crossed the Atlantic Ocean over two decades ago to study at the prestigious Berklee College Of Music in Boston. Upon their return to Galicia they established the “Seminario Permanente ...

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Article: Liner Notes

Ravita Jazz: Alice Blue

Read "Ravita Jazz: Alice Blue" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

In the 1939-40 academic year at Harvard University, Igor Stravinsky delivered a series of six lectures in French entitled Poétique musicale sous forme de six leçons. Stravinsky analysed the role of the critic, the requirements of the interpreter and the state of Russian music. He believed that a composer's freedom to create rose from ...

5

Article: Liner Notes

Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited

Read "Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited" reviewed by Chris May

by Chris May

One way for a musician to conjure rapture is through full-frontal shamanic assault, the sonic equivalent of the Orgasmatron machine that Jane Fonda's character encounters in Roger Vadim's 1968 sci-fi romp Barbarella. Funk is an ideal vehicle. But the sensations produced are superficial and short-lived. A less travelled path instead uses subtlety, understatement and nuance, and ...

5

Article: Liner Notes

Sergio Armaroli Quintet: Follow A Very Heavy Person

Read "Sergio Armaroli Quintet: Follow A Very Heavy Person" reviewed by Mark Corroto

by Mark Corroto

Time, as a concept, transforms into an endless playground in the hands of Sergio Armaroli. In Follow A Very Heavy Person, the quintet expands upon the foundations laid in Introducing A Very Heavy Person, delving deeper into the sonic and philosophical dimensions of John Cage and Kenneth Patchen's 1942 experimental radio play, The City Wears A ...

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Article: Liner Notes

Michael Waldrop: Native Son

Read "Michael Waldrop: Native Son" reviewed by Bill Milkowski

by Bill Milkowski

Following two successful big band projects--the swinging and swaggering Time Within Itself and Origin Suite--drummer-composer-bandleader Michael Waldrop has brought things down to a more intimate level on Native Son. In some ways a return to his first album as a leader, 2002's Triangularity, a sterling piano trio outing which he reissued in 2019, Native ...


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