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Patrick Brennan and sOnic Opening: Tilting Curvaceous
by Howard Mandel
Tilting Curvaceous is all-of-a-piece, s0nic 0penings' instigator and extraordinary alto saxophonist Patrick Brennan informs us, emerging from a single meta-groove interface," to be heard whole. That may come naturally to fans of creative improvisation since the breakthroughs of Ornette Coleman, say, and new constructions by composers including Cecil Taylor, the Art Ensemble of Chicago, Henry Threadgill ...
CeCe Gable: Next Year's Song
by Dan Bilawsky
To hear CeCe Gable sing is to encounter pure truth. A late bloomer whose early passion for dance was eventually eclipsed by the lure of jazz, she's spent the past three decades honing her craft and establishing herself as a sincere storyteller adept at honoring a lyric and elevating every number she inhabits. Since first taking ...
Bill Stevens: Lema Sabachthani
by Bill Stevens
In 2003 I recorded the album Dedication, my fifth independently released CD, which in the liner notes I detailed a brief musical history. Dedication bridged a 14-year gap between recordings, as well as a documented move from Seattle, WA. to New York City. In 2004 I formed the Bill Stevens Quintet and in 2005 we recorded ...
Jimmy Greene: Gifts and Givers
by C. Andrew Hovan
The two-tenor battle is not a new idea, with iconic pairings from the jazz pantheon running the gamut from Dexter Gordon and Wardell Gray to Eddie “Lockjaw" Davis and Johnny Griffin. In more recent times, Eric Alexander and Grant Stewart have fueled the fire with their own incendiary adventures as heard on the current albums Wailin' ...
Steve Slagle: Into The Heart Of It
by Dan Bilawsky
In a storied career that's produced more than 20 leader dates, there's little that Steve Slagle hasn't explored and accomplished. Yet here we are with a true first from the veteran alto saxophonist: A stunning bouquet of ballads. Inspired by lodestar outings from legends like John Coltrane, and driven by a desire to find a personalized ...
Adam Larson: Listen With Your Eyes
by Dan Bilawsky
Listen with your eyes. Open your ears and look. What tenor saxophonist Adam Larson has to offer here is something truly extraordinary. With horn in hand he takes us on a journey, an unforgettable trip through his wiring that's as daring as it is direct, as complex as it is approachable, and as dynamic as can ...
Dino Betti van der Noot: Here Comes Springtime
by AAJ Staff
There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ...
Dida Pelled: A Missing Shade Of Blue
by Dan Bilawsky
In a way, A Missing Shade Of Blue is a throwback to an earlier era, when Grant Green, Brother" Jack McDuff, Wes Montgomery and Jimmy Smith, and numerous others were bringing the guitar and organ together to create beautiful music for the people. Yet this record doesn't necessarily fit with the work of those artists. Why, ...
Klaus Kugel: Op Der Schlemz Live Nemu
by Howard Mandel
The collective quartet performance Op Der Schlemz Live by drummer Klaus Kugel pianist Roberta Piket, saxophonist Roby Glod and bassist Mark Tokar is rooted in steady balance yet full of dynamic surprises. Most people approaching this record will understand in advance that's a good thing, since surprises are exactly what we hope for when music is ...
Marshall Gilkes: Cyclic Journey
by Dan Bilawsky
Wonders never cease with Marshall Gilkes. Having previously reached extraordinary heights as a leader on a breakout quartet set, two standout quintet dates, a pair of essential releases with the WDR Big Band and one stunning trio album, this celebrated trombonist and composer now moves beyond known borders. Directing and fronting a sui generis assemblage merging ...





