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Dida Pelled: A Missing Shade Of Blue
by Dan Bilawsky
In a way, A Missing Shade Of Blue is a throwback to an earlier era, when Grant Green, “Brother" Jack McDuff, Wes Montgomery and Jimmy Smith, and numerous others were bringing the guitar and organ together to create beautiful music for the people. Yet this record doesn't necessarily fit with the work of those artists. Why, ...
Klaus Kugel: Op Der Schlemz Live Nemu
by Howard Mandel
The collective quartet performance Op Der Schlemz Live by drummer Klaus Kugel pianist Roberta Piket, saxophonist Roby Glod and bassist Mark Tokar is rooted in steady balance yet full of dynamic surprises. Most people approaching this record will understand in advance that's a good thing, since surprises are exactly what we hope for when music is ...
Marshall Gilkes: Cyclic Journey
by Dan Bilawsky
Wonders never cease with Marshall Gilkes. Having previously reached extraordinary heights as a leader on a breakout quartet set, two standout quintet dates, a pair of essential releases with the WDR Big Band and one stunning trio album, this celebrated trombonist and composer now moves beyond known borders. Directing and fronting a sui generis assemblage merging ...
Ornette Coleman: Ornette At 12 / Crisis
by Howard Mandel
Ornette Coleman, the musical savant who freed jazz and every other art form that cared to dispense with stifling conventions and stultifying pretense, recorded Ornette at 12 and Crisis at the height of the 1960s' countercultural creative promise and world-wide unrest. It was an era of citizens claiming hard-won freedoms as civil rights, of ...
Fela Kuti: Army Arrangement
by Chris May
Fela only occasionally used outside producers on his albums. Mostly, the results were good: EMI producer Jeff Jarratt's Afrodisiac (EMI, 1973), British dub master Dennis Bovell's Live In Amsterdam (Polygram, 1983) and keyboard player Wally Badarou's exceptional Teacher Don't Teach Me Nonsense (Philips, 1986). But on one occasion it was spectacularly bad: avant-funk bassist Bill Laswell's ...
Jennifer Wharton: Not a Novelty
by Dan Bilawsky
The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that ...
Our Jazz Pianists LIVE!
by Rob Garratt
Before you even drop the needle or hit play, take a moment to soak in the title of the recording you hold in your hands. The emphasis must fall squarely on the first word: these are our jazz pianists—Hong Kong's. A proud statement of ownership, acknowledging a fresh wave of young talent breaking in a city not renowned ...
Josie Falbo: You Must Believe in Spring
by Howard Mandel
The first moments of Josie Falbo's You Must Believe in Spring sweep us into a lush soundscape, through a cinematic introduction, up close and intimately to her marvelous voice. Her voice is full, rich and pure top to bottom, fluid and shapely as anything imaginable, imparting true faith into lyrics valuing a lifetime's experience, acceptance, appreciation ...
Jaga Jazzist: '94 - '14
by John Kelman
It's hard to believe that Norway's Jaga Jazzist is celebrating its 20th anniversary this year, in 2014. Not that there aren't other groups that have lasted as long, but look for a group whose primary composer was just 14 when the whole thing began, find a band where five out of its eight current members were ...
Lisa Hilton: Paradise Cove
by Lisa Hilton
"I think we all need jazz in our lives these days. From its inception, jazz and blues were created to boost moods or morale by America's earliest composers, such as Scott Joplin, Ferdinand Jelly Roll Morton, and Nick La Rocca around the beginning of the 1900s. The music on Paradise Cove was composed and created to ...
