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4

Article: Album Review

The Chad Eby Quartet: The Sweet Shel Suite

Read "The Sweet Shel Suite" reviewed by Nicholas F. Mondello


For those who might not know him from his most famous written works, “The Giving Tree" and “Light in the Attic," or from his music, Johnny Cash's hit, “A Boy Named Sue," poet, cartoonist, playwright and Grammy®-winning musician, Shel Silverstein was about as unique and talented an artist as they come. Ironically, some of his best ...

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Article: Book Review

School For Cool

Read "School For Cool" reviewed by David A. Orthmann


School For Cool: The Academic Jazz Program and the Paradox of Institutionalized Creativity Eitan Y. Wilf 268 pages ISBN: #978-0-226-12519-0 The University of Chicago Press 2014 Anthropologist/trumpeter Eitan Y. Wilf's School for Cool is an ethnographic study of institutionalized creativity in two highly regarded academic jazz programs: the ...

1

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Maurizio Zerbo


Maestro riconosciuto dell'arrangiamento per big band jazz, Frank Wess si distingueva altresì per le linee morbide e sinuose del suo sax tenore. In questa veste lo ritroviamo protagonista di questo CD, registrato due anni prima della sua scomparsa. Lo affianca un notevole quintetto che con classe e discrezione ripercorre un ammaliante filo della memoria, intriso di ...

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Article: Take Five With...

Take Five With Suzanne Cloud

Read "Take Five With Suzanne Cloud" reviewed by AAJ Staff


Meet Suzanne Cloud: Jazz singer-songwriter, educator, writer, and executive director of Jazz Bridge, a nonprofit that helps professional jazz and blues musicians in crisis. Instrument(s): vocals, piano Teachers and/or influences? My influences were wide and varied from the Broadway singer Mary Martin to jazz icon Sarah Vaughan to songwriter ...

2

Article: Take Five With...

David Friesen e il Questionario di Proust

Read "David Friesen e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. David Friesen Melodie cantabili e progressioni armoniche inconsuete. AAJ La qualità che desidero nei musicisti che suonano con me. D.F. La capacità di ascoltare. AAJ Come musicista, il momento in cui sono stato più felice. ...

2

Article: Take Five With...

Jerome Sabbagh e il Questionario di Proust

Read "Jerome Sabbagh e il Questionario di Proust" reviewed by AAJ Staff


All About Jazz: Il tratto principale della mia musica. Jerome Sabbagh L'empatia. AAJ La qualità che desidero nei musicisti che suonano con me. J.S. La mancanza di paure. AAJ Come musicista, il momento in cui sono stato più felice. J.S. Quando non penso, e ...

10

Article: Film Review

Low Down

Read "Low Down" reviewed by Victor L. Schermer


Low Down Directed by Jeff Preiss Screenplay by Amy Albany and Topper Lilien Oscilliscope Laboratories 2014 Low Down is an independent film that premiered at the Sundance Film Festival in January, 2014. It relates to the life of the late Joe Albany, a well accomplished if lesser ...

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Article: Catching Up With

John Butcher: So Far

Read "John Butcher: So Far" reviewed by Sammy Stein


Saxophonist John Butcher's career could have taken an academic path. He completed a Ph.D in theoretical physics--Charmed Quarks to be precise--but left the academic world behind shortly thereafter. As a saxophonist, Butcher has played with and collaborated with many musicians. He is not afraid to try completely off the wall musical experimentation.

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Article: Album Review

Michael Blake: Tiddy Boom

Read "Tiddy Boom" reviewed by Maurizio Comandini


Michael Blake cita espressamente tre sassofonisti nelle rarefatte note di copertina di questo album: Coleman Hawkins, Lester Young e Ross Taggart. I primi due sono la fonte di ispirazione di questo eccellente Tiddy Boom, mentre Taggart viene menzionato soprattutto per ricordarne la figura, di recente scomparsa. Ma non sarebbe sbagliato tirare fuori dall'armadio anche ...

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Article: Album Review

Michael Blake: Tiddy Boom

Read "Tiddy Boom" reviewed by Glenn Astarita


Tenor saxophonist Michael Blake has played a prominent factor within the backbone of New York's progressive jazz scene, having performed with big bands, small ensembles and on Tiddy Boom, re-aligning with New York Jazz Collective comrades, pianist Frank Kimbrough and bassist Ben Allison. In-demand session drummer Rudy Royston complements a group that proffers sympathetic support to ...


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