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Musician

Lester Bowie

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Lester Bowie was one of the most adventurous and proficient manipulators of the trumpet, having made use of everything from strict melodic lines to abstracted explosions of sound. He became a member of the newly- established Association for the Advancement of Creative Musicians, and it was through this he met the musicians with whom he went on to form the radical Art Ensemble of Chicago. Lester Bowie was born in Frederick, Maryland in 1941, but he was raised in St. Louis, Missouri. His trumpet- playing dad was a high school band director who owned a master's degree, then, not an easy feat for a black man. By age five Lester was taking lessons from a proud father and by 14 he was under the wing of St

Album

Blase And Yasmina Revisited

Label: Ezz-thetics
Released: 2021
Track listing: My Angel; Blasé; There Is A Balm In Gilead; Sophisticated Lady; Touareg; Yasmina.

1

Article: Radio

England-Italy: A Jazz Re-match, First Half

Read "England-Italy: A Jazz Re-match, First Half" reviewed by Ludovico Granvassu


A few days ago, England and Italy faced each other in the finals of the European Soccer Cup. It was a compelling match with a nail-biting end between two teams that exceeded expectations and that promise to have a brilliant future. Italy won in a penalty shootout because in sports—especially in the finals of a tournament—there ...

11

Article: Album Review

Archie Shepp: Blase And Yasmina Revisited

Read "Blase And Yasmina Revisited" reviewed by Chris May


The three albums tenor saxophonist Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blasé And Yasmina Revisited so resoundingly attests, the ...

3

Article: What is Jazz?

Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music

Read "Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music" reviewed by Kurt Ellenberger


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...

9

Article: Interview

Remembering Lester Bowie

Read "Remembering Lester Bowie" reviewed by Lazaro Vega


From the 1995-2003 archive: This article first appeared at All About Jazz in December 1999. Lester Bowie played several concerts and made one so far un-issued recording in the late 1990's with Kahil El'Zabar's Ritual Trio plus poetess Ntozake Shange. The evening of grooves, improvisation and poetry came to Grand Rapids, Michigan, in ...

Article: Album Review

Angelo Olivieri: Other Colors

Read "Other Colors" reviewed by Neri Pollastri


Non è purtroppo un musicista che sia facile ascoltare dal vivo per la penisola Angelo Olivieri, uno dei nostri migliori trombettisti e artista che non si adagia sui materiali facili o sulle forme espressive consolidate, come ben dimostra in questa sua eccellente ultima fatica. Ve lo troviamo alla testa di un quartetto “elettrico," composto dalla chitarra ...

1

Article: Radio

Sting: An English (Jazz-)Man In New York - Part 2

Read "Sting: An English (Jazz-)Man In New York - Part 2" reviewed by Ludovico Granvassu


Although Sting is mostly known for his solo career and, before that, for fronting one of the most epic band of all times, The Police, his love for jazz has been a common thread throughout his career. His jazz sensibility became more prominent when he started his solo career with the album The Dream of the ...

3

Article: Album Review

Vincent Chancey Trio: The Spell

Read "The Spell" reviewed by John Sharpe


It's not everyone who gets to be name-checked in the title of an album by Sun Ra, but Chicago-native Vincent Chancey inhabits a select club thanks to Taking A Chance On Chances (Saturn, 1977), (mis-)named after an improvised duet between his French horn and Ra's piano. As well as the Arkestra, Chancey's French horn has also ...

28

Article: Building a Jazz Library

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May


Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...


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