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Cecile McLorin Salvant with the Aaron Diehl Trio at Dazzle
by Geoff Anderson
Cecile McLorin Salvant with the Aaron Diehl Trio Dazzle Denver, CO November 10, 2017 Cecile McLorin Salvant with the Aaron Diehl Trio. Two acts for the price of one? Two different artists welded together for the sake of a concert? Hardly. Salvant has been performing with Diehl and his trio for ...
Jim Ridl: Project 142 at the DiMenna Center
by Victor L. Schermer
Jim Ridl Tones and Tomes in Tempo DiMenna Center New York, NY October 19, 2017 Jim Ridl is a brilliant and imaginative pianist whose music is true to his North Dakota origins while firmly rooted in the jazz tradition. Versatile and adaptive to almost any situation, he fronts his own ...
Umbria Jazz 2017
by Libero Farnè
Umbria Jazz Perugia Varie sedi 7-16.7.2017 Mantenendosi fedele alla sua consolidata formula, Umbria Jazz si è protratta per dieci giorni su vari palcoscenici, con concerti gratuiti e a pagamento, cercando di adeguare stili e proposte differenti ai diversi contesti interessati e rivolgendosi quindi a diverse fasce di pubblico. In particolare, la ...
Electric Coen
by Neri Pollastri
Era il 2008 quando intervistammo Gabriele Coen, allora interessante ma ancora poco noto sassofonista e compositore romano. Oggi, dieci anni dopo, Gabriele ha sviluppato e messo a frutto la sua ricerca nella tradizione musicale ebraica (già allora aveva pubblicato con la moglie Isotta Toso un libro sulla storia del klezmer, “Musica Errante," edito da Stampa Alternativa) ...
Intervista a Enrico Pieranunzi
by Daniele Vogrig
Da Charlie Parker a Bruno Canino, da Chet Baker a Domenico Scarlatti, passando per George Gershwin e la musica folklorica romana. In occasione di un suo recente progetto dedicato alla figura di Gershwin, abbiamo avuto il piacere di incontrare Enrico Pieranunzi per una lunga e stimolante chiacchierata, ripercorrendo insieme la sua carriera ultra- quarantennale.
Vinnie Sperrazza: Juxtaposition
by David A. Orthmann
The most intriguing thing about Juxtaposition, Vinnie Sperrazza's recently released recording, is its loose grip on the jazz tradition. The disc's twelve tracks don't come with a set of standard, recognizable references. Not unlike many of today's leading young artists, Sperrazza has absorbed the lessons of the music's past, and is currently interested in doing things ...
Dorian Devins Hits a Double in the Bleak Midwinter
by C. Michael Bailey
New York centered jazz singer and lyricist Dorian Devins first rocked my sensitive Southern Consciousness in 2013 with the release of The Procrastinator (Rain1 Jazz). Devins marked a return to that jazz step-child, vocalese: the application of lyrics to well-known wordless jazz compositions. The recording was a cornerstone of that year. Devins played a very large ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Jazz Sessions at The Falcon Underground Host: Aaron Seeber
by David A. Orthmann
Aaron Seeber The Falcon Underground Jazz Sessions at The Falcon Underground Marlboro, NY November 9, 2016 One of the benefits of jazz fandom is catching a live performance by talented young musicians at a particular phase in their personal and collective development. There's something intriguing about players who are ...
Jane Ira Bloom: Early Americans
by Alberto Bazzurro
Inciso a metà luglio del 2015, questo è con tutta probabilità il miglior album di Jane Ira Bloom che ci sia passato per le mani. Le grandi curiosità iniziali, attorno a questa esile donna che oltre trent'anni fa faceva parlare di sé accanto ai maestri dello strumento che si stava imponendo come una sorta di cornucopia ...
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