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Article: Radio & Podcasts

Joey Alexander: I Just Happened To Start Early

Read "Joey Alexander: I Just Happened To Start Early" reviewed by Leo Sidran


When Joey Alexander made his first appearance in the States nearly a decade ago, it seemed to send a kind of shockwave through the jazz world. He was 10 years old when Wynton Marsalis invited him to travel from his native Indonesia (he was born in Bali but moved to Jakarta to pursue his music) to ...

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Article: Radio & Podcasts

Todd Sickafoose: Things Take A Long Time

Read "Todd Sickafoose: Things Take A Long Time" reviewed by Leo Sidran


Bassist and composer Todd Sickafoose shows up in a lot of places: on stage with singer-songwriter Ani DiFranco, drummer Allison Miller or violinist Jenny Scheinman, behind the scenes as a record producer for artists like Noe Venable and Anais Mitchell, orchestrating the music for the Broadway musical Hadestown (which earned him both a Grammy for record ...

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Article: Radio & Podcasts

Gregory Hutchinson: It’s All About Feel

Read "Gregory Hutchinson: It’s All About Feel" reviewed by Leo Sidran


Gregory Hutchinson--or “Hutch" as he is known--is one of the most highly regarded and highly recorded jazz drummers on the planet. Part of what makes him so special is that he sits at the crossroads of the old school and the new school. He was mentored by old jazz masters like Red Rodney, Ray Brown and ...

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Article: Radio & Podcasts

Jake Lamar on his Jazz Noir novel 'Viper's Dream'

Read "Jake Lamar on his Jazz Noir novel 'Viper's Dream'" reviewed by Leo Sidran


Writer Jake Lamar talks about growing up in the Bronx, his lifelong love affair with writing, moving to France in the '90s, his career as a novelist, playwright, and cultural critic in Paris, and his new book Viper's Dream, a Jazz Noir crime novel set in the jazz world of Harlem between 1936 and 1961.

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Article: Interview

Leo Sidran: Conversation Artist

Read "Leo Sidran: Conversation Artist" reviewed by Ludovico Granvassu


For music lovers, listening to music is often not only about the music. An album is much more than a vessel of beautiful chords, notes and lyrics. It offers mission statements, “how to" manuals, and blueprints for life strategies. Each song a trap-door it is impossible not to sneak into, in search for insights on how ...

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Article: Radio & Podcasts

Ben Sidran at 80: This is your life

Read "Ben Sidran at 80: This is your life" reviewed by Leo Sidran


For the fifth consecutive year I interviewed my father, Ben Sidran on his birthday. This year he's turning 80 and I surprised him with reflections and anecdotes by friends and colleagues from throughout his career, including Jeff Greenfield, Boz Scaggs, Jann Wenner, Glyn Johns, Michael Cuscuna, Phil Upchurch, Georgie Fame, Gil Goldstein, Neil Tesser, Janis Siegel, ...

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Article: Radio & Podcasts

Laila Biali is taking requests

Read "Laila Biali is taking requests" reviewed by Leo Sidran


Singer, pianist and songwriter Laila Biali recently released Your Requests (ACT Music), built around a collection of songs from the Great American Songbook that were requested by her fans. After a string of projects of her original songs and more contemporary covers, the album was a departure for her. After spending years living in ...

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Article: Radio & Podcasts

Richie Cole, Geri Allen & Vince Ector

Read "Richie Cole, Geri Allen & Vince Ector" reviewed by Joe Dimino


We kick off the 813th Episode of Neon Jazz with drummer Vince Ector leading his Organatomy Trio Plus with a cut from Llive at The Side Door. From there, we hear from his mentor in the late Ralph Peterson. We follow “Bemsha Swing" with music from Leo Sidran, Ben Miller, Jeb Patton and Ellie Martin. In ...

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Article: Radio & Podcasts

Scenes from the 2023 Montreal Jazz Festival

Read "Scenes from the 2023 Montreal Jazz Festival" reviewed by Leo Sidran


Article: Radio & Podcasts

Brandee Younger: I'm Done Running From The Harp Police

Read "Brandee Younger: I'm Done Running From The Harp Police" reviewed by Leo Sidran


When it comes to instruments that are not easily designed for improvising soloists, there is perhaps none more difficult to handle than the harp. And when it comes to contemporary jazz harpists, there is perhaps none more influential in this moment than Brandee Younger. From the very beginning, as a young music student growing ...


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