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Results for "Lenny Breau"
Nobuki Takamen: Solo Guitar
by Mark Sullivan
Jazz guitarist Nobuki Takamen plays like someone with nothing to prove as he takes on that most difficult challenge: a truly solo jazz recording, with no overdubbing or electronics. His playing throughout is confident and mature, with no extraneous display. Which is not to say that his technique is lacking: the opener “Someday" effortlessly goes from ...
Take Five With Mason Razavi
by AAJ Staff
Meet Mason Razavi: Starting out as a self-taught rock guitarist, Mason began studying jazz and playing in working rock bands as a teenager. After hearing an Andres Segovia recording for the first time at age 22, Mason changed directions dramatically and focused on the classical guitar for several years before returning to jazz and the ...
Ryan Blotnick: Solo, Volume I
by Mario Calvitti
Dopo due album a suo nome registrati con formazioni variabili (trio, quartetto, quintetto), il giovane chitarrista Ryan Blotnick (classe 1983) ha sentito il bisogno di ritrovare una dimensione più intimista, dedicandosi intensamente alla pratica del solo, allo stesso tempo ritornando nel nativo Maine dopo alcuni anni trascorsi a New York. Ne scaturisce un lavoro delicato e ...
Jonathan Kreisberg: ONE
by John Kelman
The liner notes may say no overdubs or loops were used, but Jonathan Kreisberg might just as easily have included that “No guitars were harmed in the making of ONE." Beyond work with artists like vibraphonist Joe Locke on Sticks and Strings (Music Eyes, 2007) and organist Dr. Lonnie Smith on Spiral (Palmetto, 2010), the guitarist ...
The Tragic Life of Lenny Breau
Jazz guitarist Lenny Breau was born in Maine in 1941 to parents who were country music performers. According to Wikipedia, he began playing guitar at age 8 and soon became a member of his parents' band after they moved to Canada. In 1959, his father slapped him in the face for playing jazz improvisation on stage, ...
Talkin' Blues with Barbara Dennerlein
by Alan Bryson
If there were a Guinness World Records prize for jazz artist with the biggest organ, it could very well go to Barbara Dennerlein. No doubt, her Hammond B3 was a disc-crushing bane for countless roadies over the past three decades, but a B3 pales in comparison to what she's been playing lately. Imagine five organs with ...
Stian Westerhus: Pitch Black Star Spangled
by John Kelman
With advances in technology allowing musicians to turn real-time solo performances into works of near-orchestral expansiveness, the concept of a solo guitar album has become something much different than when guitarists like Lenny Breau turned the instrument on its side with Five O'Clock Bells (Genes, 1977), deceptively sounding like the work of two guitarists with no ...
Sean McGowan: Sphere
by David Rickert
Those who seek to create a tribute album of Thelonious Monk music face one big obstacle: how do you capture Monk's idiosyncratic style without sounding like a pale imitation? You could just record cover versions of his songs and leave it at that, but the end result wouldn't really capture the pianist's oddball genius, so what ...
Still Inside: The Tony Rice Story
by Jack Huntley
Still Inside: The Tony Rice StoryTim Stafford and Caroline WrightHardcover; 315 pagesISBN: 978-0-578-05113-0Word of Mouth Press, Inc2010 It's a life already mythologized by devotees--how a country boy discovers a god-given talent for guitar and a natural ear, and grows up to dominate the ...
Jonathan Kreisberg: Shadowless
by John Kelman
In a landscape populated by forty-something guitarists like Kurt Rosenwinkel and thirty-something six-stringers like Lage Lund, Jonathan Kreisberg stands alone. Sure, he's got the chops and linguistic sophistication of a group of peers who are the clear next step beyond the innovations of Pat Metheny, John Scofield and Bill Frisell , but what separates Kreisberg is ...
