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Results for "Lennie Tristano"
Samo Salamon Bassless Trio: Unity
by Luigi Sforza
Non capita spesso di ascoltare dischi di notevole spessore. Pertanto, quando se ne presenta l'occasione è necessario, anzi doveroso, celebrarli con adeguata deferenza e, come oggetti preziosi, riservare loro un posto di assoluto rispetto nello scaffale che li accoglierà, posizionandoli di fianco ad altre opere del medesimo livello e, possibilmente, a portata di mano, così da ...
Lee Konitz: Frescalalto
by Luca Canini
Lo sfizio del primo disco su Impulse! se l'è tolto alla soglia dei novanta, ennesima tappa di una carriera che per raccontarla non basterebbero due Treccani con relative appendici. Una vita in jazz come poche ce ne sono state, e come mai più (forse) ce ne saranno, quella di Lee Konitz. Dagli esordi ...
Carol Liebowitz / Nick Lyons: First Set
by Jerome Wilson
The improvising legacy of Lennie Tristano continues to this day. It went through his student, the late Connie Crothers and it continues in this live set by two musicians she influenced, pianist Carol Liebowitz and saxophonist Nick Lyons recorded at Crothers' loft in 2012. This duo does, in the old Tristano fashion, improvising rooted ...
Lydian Sound Orchestra: Music For Lonely Souls (beloved by nature)
by Angelo Leonardi
Anche per merito di questo disco, la Lydian Sound Orchestra ha vinto il referendum della critica italiana, indetto dalla rivista Musica Jazz, quale migliore formazione del 2016. Un riconoscimento che giunge a quasi trent'anni dalla sua fondazione sotto la direzione di Riccardo Brazzale (il progetto prende forma nel 1989 e il primo disco -Melodious Thunk--giunge tre ...
The Brian Dickinson Quintet: The Rhythm Method
by Dan McClenaghan
Toronto-based pianist Brian Dickinson explores the “quintet with a two sax front line" on The Rhythm Method. He takes his lead from the somewhat overlooked pianist/conceptualist Lennie Tristano, who broke the ground with his historic 1949 Capitol Sessions featuring Lee Konitz on alto sax and Warne Marsh on tenor sax; and with his 1956 recordings with ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Pauline Oliveros & Connie Crothers: Live At the Stone
by Karl Ackermann
Connie Crothers passed away in August of 2016; an accomplished composer, improviser and pianist, she was not nearly as well-known as she should have been for someone whose talent attracted musical partnerships with Max Roach and Lennie Tristano. Despite playing everywhere from the downtown scene, to Carnegie Hall, to Europe's music halls, her refusal to run ...
Rick Hannah / Erwin Siffer: 2-Man Jazz Band
by Budd Kopman
Piano and guitar is a relatively rare combination for a number of reasons including overlapping ranges and having the similar timbre of percussive string. Yes, players of both instruments spend a lot of time perfecting a singing or legato sound, but in the end they are what they are. Instead of fighting it, with ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
Lanfranco Malaguti: Why Not?
by Angelo Leonardi
Ciclicamente la ricerca di Lanfranco Malaguti si confronta con gli standard, usandoli come un materiale da plasmare e riplasmare, ridisegnandone in profondità i connotati armonici, melodici e ritmici. In questo senso i primi lavori risalgono alla fine degli anni ottanta con Sound Investigations (Splasc(H) 1988) e Synthetismos (Splasc(H) 1989) a cui seguirà nel 1990 Something, dedicato ...
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