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Larry Corban: The Circle Starts Here
by Dan McClenaghan
Guitarist Larry Corban keeps a picture of Django Reinhardt (1910-1953) on the wall of his practice room. The Belgium-born Gypsy guitarist/swing pioneer was a master of tripping from single note melodies to crisp chords--and keeping it all swinging in his collaborations with violinist Stephane Grappelli.Corban takes his Django inspiration well on the opener of ...
Jazz Orchestra of Philadelphia Dedicated to Preserve and Continue City's Signature Sound and Tradition
Premier Performance on International Jazz Day Free Event at City Hall Courtyard in Philadelphia, PA - April 30th at 12:00PM Terell Stafford, Artistic Director, and Deena Adler, Founding Director, announce the formation and premier performance of the long-awaited Jazz Orchestra of Philadelphia (JOP). World renowned trumpet player and Director of Jazz Studies, at Temple University, Terell ...
Carl Bartlett, Jr.: Hopeful
by Dan McClenaghan
Alto saxophonist Carl Bartlett, Jr. was pushing his late twenties when he figured it was high time that he put out a CD. Hopeful resulted, and the Queens, New York native proved he was more than ready for the task. Opening boldly, with a five minute sax solo--the disc's title tune--the young artist announces his arrival. ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
Pharez Whitted: For The People
by Ian Patterson
Saxophonist Pharez Whitted has had an unusual recording career. Fourteen years separated Mysterious Cargo (Motown Records, 1996) from Transient Journey (Owl Studios, 2010), as Whitted dedicated himself to jazz education and sideman appearances with the likes of drummer Elvin Jones, trumpeter Wynton Marsalis and pianist Ramsey Lewis. In this context, For the People comes after a ...
David Weiss & Point Of Departure: Venture Inward
by Mark Corroto
If music can be described as either masculine or feminine, then recordings by trumpeter David Weiss and his Point of Departure quintet are simply testosteronic. Built upon the legacy of trumpeter Miles Davis' second great quintet and saxophonist Billy Harper's Black Saint inheritance, Weiss presents dexterous arrangements of muscular, second wave hard bop music.This ...
Dorian Devins: The Procrastinator
by C. Michael Bailey
Ginny Carr and the Uptown Vocal Jazz Quartet recently paid proper homage to vocalese master Eddie Jefferson with the song “He Was the Cat," from Hustlin' For A Gig (HouseKat Records, 2012). Jefferson, along with Clarence Beeks (King Pleasure), specialized in writing lyrics for and singing the more notable jazz compositions, like “Moody's Mood for Love" ...
John Coltrane: There Was No End To The Music
by Rob Armstrong
[Editor's Note: All About Jazz, Hidden City Philadelphia, and the Preservation Alliance for Greater Philadelphia have collaborated to present a series of articles on the local jazz scene that John Coltrane inhabited, developed in, and ultimately transcended between 1943 and 1958, when he called the city home.] When 18 year old John Coltrane moved ...
Take Five With Sofija Knezevic
by AAJ Staff
Meet Sofija Knezevic:“Recognized as one of jazz's preeminent vocalists, young Sofija Knezevic (only 22) is one of the most significant singers in jazz today. While her singing is steeped in tradition, her improvisational virtuosity and creativity are breathtaking."--CNNInstrument(s):Voice, piano.Teachers and/or influences?Greatly influenced by Sarah Vaughan, Ella ...
Gabriel Alegria Afro Peruvian Sextet: Ciudad De Los Reyes
by Skip Heller
Trumpeter Gabriel Alegria has all but issued a mission statement to establish and cultivate a Peruvian/jazz style. Unlike most styles of Latin music, like montuno-based Afro-Cuban and bossa nova, Peruvian music does not stem from the clave rhythm, but instead from 12/8 (or 6/8, depending on who is your resident self-proclaimed expert). In short, it's a ...
![Full Moon [Feat. New York Voices, Mark Egan]](https://s3.amazonaws.com/allaboutjazz/coverart/large/a07a6f1d5edcd6c801f0e1c3b527da37.jpg)
