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Johnny Griffin: A Blowin' Session – Blue Note 1559
by Marc Davis
Sometimes dumb luck makes all the difference. That's the case with Johnny Griffin's A Blowin' Session. If you're a sax fan, this one's for you--not one, not two, but three red-hot tenors, plus one scorching trumpet, and the legendary Art Blakey smashing the drums behind them. Three tenors? How did that happen? Pure serendipity. ...
Ezra Weiss Sextet: Before You Know It [Live In Portland]
by Dave Wayne
On Before You Know It, pianist / composer Ezra Weiss provides convincing evidence for the continued health and well-being of good old, straight ahead, gimmick-free modern acoustic jazz. The archetype for Weiss' beefy band and punchy charts would include Art Blakey's expanded Jazz Messenger lineups, some of McCoy Tyner's larger groups from the early-to-late 1970s, or ...
Mark Hagan's Jazz Salon At The Old 76 House
by David A. Orthmann
Mark Hagan's Jazz Salon The Old 76 House Tappan, NY January 7, 2015 While the outside temperature plummeted to single digits and everyone groused about the bitter cold, tenor saxophonist Ralph Lalama--undeterred by the circumstances--calmly suggested Winter Wonderland." The seasonal favorite was the second selection by an ad hoc group ...
Artt Frank: Talking Chet Baker
by Nicholas F. Mondello
In Chet Baker: The Missing Years--A Memoir (BooksEndependent,LLC), drummer/composer Artt Frank delivers an in-the-room intimate, yet no-holds-barred tale of his professional and personal relationship with the mythologized jazz trumpeter. Drawn from deep admiration for and loyal friendship with Baker, as well as his 14 years performing with him, Frank has painted a distinctive, poignant and dramatically ...
Steve Khan: Eyewitness
by John Kelman
Steve KhanEyewitnessAntilles1981 Today's Rediscovery represented a significant turning point for an artist who'd already made a name for himself in the '70s as part of the scene that included The Brecker Brothers, David Sanborn and Mike Mainieri. Guitarist Steve Khan, along with playing with many of the artists in ...
Lee Morgan Indeed! – Blue Note 1538
by Marc Davis
The first time Lee Morgan entered a recording studio, he was just 18 years old and he was leading his own band. More impressive, that band included soon-to-be-legendary pianist Horace Silver and drummer Philly Joe Jones. This is the CD of that 1956 recording session. While the players were great, the music is merely ...
Chad Eby Quartet: The Sweet Shel Suite
by Mark Corroto
Reading poet Shel Silverstein's The Giving Tree once again as an adult, it is improbable that one would take away the same message as you did reading the book as a child. The boy in the story grows up playing in the branches of the tree and eating its fruit, eventually cutting the trunk for wood. ...
Pete Christlieb Quintet, "Santa’s Bones" at Phoenix Musicians Hall
by Patricia Myers
Pete Christlieb, Santa's Bones" Musicians Hall, Phoenix Musicians Union, Local 586 AFM Phoenix, AZ November 30 and December 2, 2014 Concerts by tenor saxophonist Pete Christlieb and a trombone ensemble called Santa's Bones" were presented as part of on ongoing series at the Musicians Hall of the Phoenix Musicians Union, Local ...
J.R. Monterose – Blue Note 1536
by Marc Davis
J.R. Monterose is that rare bird at Blue Note Records--the guy who got one shot at leading a band, then practically vanished from the face of the earth. It's odd because the history of Blue Note is filled with famous guys (almost never gals) who took up residence and stayed just about forever. Think ...
Billy Harper: A Life of Persistence and Improvisation
by R.J. DeLuke
On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...


