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Duane Eubanks e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Duane Eubanks: La melodia. AAJ: La qualità che desidero nei musicisti che suonano con me. D.E.: L'umiltà. AAJ: Come musicista, il momento in cui sono stato più felice. D.E.: Quando ho condiviso il palco con ...
Michael Feinberg's Humblebrag: Live at 800 East
by Angelo Leonardi
Nato ad Atlanta ma stabilitosi a New York nel 2009, il bassista e compositore Michael Feinberg è uno dei migliori jazzmen emergenti del decennio. Poco più che 25enne ha già inciso alcuni dischi a suo nome, tra cui spicca l'Elvin Jones Project, registrato nel 2012 per la Sunnyside con la presenza di nomi illustri quali Billy ...
Tribute to Carla Bley: Mandala Octet and Mandala Orchestra
by Harry S. Pariser
Mandala Octet and Mandala Orchestra SFJAZZ San Francisco, CA June 5, 2015 Steve McQuarry had an epiphany last December. While on the phone with Karen Mantler, daughter of eminent avant-garde jazz composer Carla Bley, McQuarry realized that he would like to play some of her tunes onstage, and ...
Dave Burrell: Pianist Navigating the Windward Passages
by Victor L. Schermer
Dave Burrell is a master pianist and composer who encountered the avant-garde in the 1960s and has been following his own independent path ever since. He combines classical and jazz elements that are both inside" and outside" the mainstream. The title of a poem by J.V. Cunningham, The Metaphysical Amorist" characterizes much of his playing, which ...
Jazz Orchestra of Philadelphia Tribute to Strayhorn and Golson at the Kimmel Center
by Victor L. Schermer
Jazz Orchestra of Philadelphia Spring Concert Honoring Billy Strayhorn and Benny Golson Perelman Theater Kimmel Center for the Performing Arts Philadelphia, PA May 9, 2015 This concert was billed as A Tribute to Billy Strayhorn," but it was, in fact, evenly divided between Strayhorn's music and that of ...
Art Blakey and the Jazz Messengers: Moanin’ – Blue Note 4003
by Marc Davis
Jazz fans will argue forever over the best version of The Jazz Messengers. Was it the group with Wayne Shorter and Lee Morgan that made A Night in Tunisia in 1960? The 1954 edition with Horace Silver, Clifford Brown and Lou Donaldson that made A Night at Birdland? (Which isn't technically a Jazz Messengers album, but ...
Jax Jazz Collective: All the Things You Are: The Music of Jerome Kern
by Dan McClenaghan
This is a marvelous approach to making jazz recordings: picking one Great American Songbook composer at time and exploring a set of his tunes, with a personal touch. Pianist Oscar Peterson released a series of tributes to the Standards tune-smith's on Verve Record back in the 1950s, tagged Songbooks," celebrating George Gershwin, Cole Porter, Richard Rodgers, ...
John Coltrane: Blue Train – Blue Note 1577
by Marc Davis
John Coltrane was arguably the greatest jazz musician of the 1950s and '60s. Blue Note Records was arguably the greatest jazz label of the same period. And yet they had almost nothing to do with each other. Except for one album--and it's a classic. Blue Train is one of a handful of ...
Jazz Trumpet, Part 1
by AAJ Staff
Jazz trumpet is practically an art form unto itself, with a richness in terms of its greatest soloists that is hard to match. Some have even argued for it being the classiest," most sophisticated solo instrument in jazz. Moreover, it seems that in every period of jazz history, dominant voices on trumpet have leapt ...
Hank Mobley: Dippin' – Blue Note 4209
by Marc Davis
1965 was an interesting year musically, and Hank Mobley's Dippin' tries--mostly successfully--to capture all of it. It's a hodgepodge of styles that were very popular that year, ranging from soul to pop, hard bop to bossa nova. It's a fun listen--but don't expect any kind of consistent feel. The record pairs two ...


