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Eyewitness Trilogy
by John Kelman
Emerging on the New York scene in the mid-1970s, guitarist Steve Khan didn't long at all to develop a strong reputation as both chameleon-like session guitarist—comfortably crossing over from the jazz world into pop and rock and gracing albums by artists ranging from Esther Phillips, Freddie Hubbard and David Sanborn to Phoebe Snow, Billy Joel and ...
Roberto Magris: Need to Bring Out Love
by Jack Bowers
Perhaps the best word with which to describe Italian-born pianist Roberto Magris is busy. Since launching his career in the late '70s, the fifty-six-year-old keyboardist has performed with a veritable who's who of jazz luminaries in forty-one countries, and Need to Bring Out Love is his twenty-seventh album as leader of his own groups (in this ...
Ameen Saleem: The Groove Lab
by Alex Franquelli
Composer Irving Berlin once famously said that “everybody ought to have a Lower East Side in their life." True and, although technically speaking Brooklyn is not part of the octagon that thrives between Houston Street and FRD Drive, the groove, that precious intimate rumble of inspiration, is the one element that connects one area with the ...
The Empire Jazz Orchestra: Out of the Mist
by Jack Bowers
Out of the Mist is the sixth album (and first in a studio) recorded by the Empire Jazz Orchestra, a professional repertory ensemble founded in 1992 and in residence since then at Schenectady County (NY) Community College. While there is no comprehensive theme underlining its latest enterprise, the EJO's stated purpose is to perform music from ...
Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey
by Jack Bowers
Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...
Kenny Burrell: Blue Lights – 1958
by Marc Davis
The name on the cover is Kenny Burrell, but Blue Lights isn't really a Kenny Burrell album. He may be the leader, but the stars are everyone else. This is truly a democratic 1950s jam session. I came to Blue Lights fresh from Burrell's Midnight Blue, expecting another laid-back blues guitar vehicle. Not even ...
Benny Golson and the Philadelphians - 1958
by Marc Davis
I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...
Lee Morgan, Volume Three - 1957
by Marc Davis
In jazz, as in rock, there's a tendency to overlook composers. Performers get all the nods. Consider Duke Ellington. One of the greatest bandleaders and composers of all time. But Billy Strayhorn? Not as famous--even though he wrote some of Duke's best pieces: “Take the A Train" and “Lush Life" and “Chelsea Bridge."
Tom Csatari Band: Outro Waltz
by Dave Wayne
Deliberately low-fi and available as a download only (though you will be sent a repurposed album cover with a download code Scotch-taped to it if you request one), Outro Waltz by the Tom Csatari Band is, depending on your mood or musical orientation, completely charming or somewhat annoying. The download, ironically, is divided into two sides: ...
Duane Eubanks Quintet at Blues Alley
by Steve Bryant
Duane Eubanks Blues Alley Washington, DC July 15, 2015 Duane Eubanks has been fighting to establish a noteworthy identity as a jazz trumpeter for years. One, he's had to dwell in the shadow of his more well-known brothers, Duane and Robin, as well as hustling in the often rough-and-tumble New York ...
