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8

Article: Radio & Podcasts

The Arrival of Joe Henderson (1963 - 1967)

Read "The Arrival of Joe Henderson (1963 - 1967)" reviewed by Russell Perry


Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...

11

Article: Album Review

Tina Brooks Quintet: The Complete Recordings

Read "The Complete Recordings" reviewed by Chris May


Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...

18

Article: Album Review

Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

Read "The Complete Hank Mobley Blue Note Sessions 1963-70" reviewed by C. Andrew Hovan


The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...

8

Article: Live Review

Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe

Read "Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe" reviewed by Victor L. Schermer


Eric Alexander, Steve Davis, John Swana and the Philly All-Stars Chris' Jazz Café Philadelphia, PA February 22, 2020 This first set on the second night of a two night stand with a packed house featured three superb and well-known hard bop masters backed by a local rhythm section ...

1

Article: Album Review

John Bailey: Can You Imagine?

Read "Can You Imagine?" reviewed by Jack Bowers


Letting his imagination roam free, trumpeter John Bailey envisions a world in which one of his musical touchstones, trumpeter Dizzy Gillespie, is president of the United States--one in which Gillespie's cabinet includes Duke Ellington (secretary of state), Louis Armstrong (secretary of agriculture) and Miles Davis (CIA director). The fact is, Gillespie did “run" for president in ...

10

Article: Interview

Jonathan Goldman: Bump and Let It Slide

Read "Jonathan Goldman: Bump and Let It Slide" reviewed by Chris M. Slawecki


On Saturday February 29, Spanglish Fly will celebrate completing their tenth full year as America's leading producer and exporter of the wicked hot musical sauce known as Latin boogaloo with a special anniversary performance hosted by the legendary Brooklyn hotspot Barbes. The quintessential musical melting pot Spanglish Fly features musicians with roots in Puerto ...

13

Article: Album Review

Lee Morgan: The Sidewinder

Read "The Sidewinder" reviewed by Greg Simmons


Legend tells us that 1964's The Sidewinder was the album, and indeed the song, which saved Blue Note Records at a time when the label was struggling financially. Dashed off to fill some tape, at the end of the recording session, it peaked at number 25 on the Billboard charts—almost unheard of for a hard-bop record—stabilizing ...

Results for pages tagged "lee morgan"...

Musician

Lee Morgan

Born:

Lee Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.

He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. On the latter LP, he even played a bent-up horn like Gillespie's. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.

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Article: Under the Radar

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

29

Article: Album Review

Roberto Magris Sextet: Sun Stone

Read "Sun Stone" reviewed by Jerome Wilson


Roberto Magris, the prolific Italian pianist who spends a lot of his time in America, has recorded with several different types of groups in his career. This is his first outing with a new straight--ahead sextet that includes Chicago legend Ira Sullivan on alto and soprano saxophones and flute, and it is a strong one.


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