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Trefoil: Ambrose Akinmusire, Kris Davis, and Gerald Cleaver at The Bop Stop
by C. Andrew Hovan
Trefoil: Ambrose Akinmusire, Kris Davis, and Gerald Cleaver Bop Stop Cleveland, Ohio March 20, 2022 With a distinguished resume that includes his 2007 wins in both the Thelonious Monk International Jazz Competition and the Carmine Caruso International Jazz Trumpet Solo Competition, trumpeter Ambrose Akinmusire still finds himself traveling under the radar ...
Backgrounder: Lee Morgan's Lee-Way
Here's another in my Backgrounder series on great jazz albums you can play while working. Today, Lee Morgan's Lee-Way, a Blue Note album recorded in April 1960 and released in May 1961. The album featured Lee Morgan (tp), Jackie McLean (as), Bobby Timmons (p), Paul Chambers (b) and Art Blakey (d). The songs are Cal Massey's ...
McCoy Tyner / Freddie Hubbard Quartet: Live At Fabrik
by Chris May
Warning! Highly Flammable Material! This superb album, recorded in Hamburg in 1986 and never previously released, ought to come with a caution, so incendiary is it. Strictly speaking, Live At Fabrik presents pianist McCoy Tyner's trio with bassist Avery Sharpe and drummer Louis Hayes and guest artist Freddie Hubbard on trumpet and flugelhorn. ...
Lost & Found Recordings: Pepper Adams, Sheila Jordan, David S. Ware
by David Brown
This week, lost and found recordings featuring Monk & Coltrane's final tour together, a lost movie soundtrack from Monk, a Sheila Jordan album she doesn't remember making, and other lost and found studio and live recordings from Pepper Adams, Bill Dixon & Cecil Taylor, Harold Land, David S. Ware, Ella Fitzgerald, Tim Berne Snakeoil and more! ...
Marquis Hill: New Gospel Revisited
by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian ...
Christine Kamau: Delivering Afro-Jazz Power
by Nicholas F. Mondello
In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...
Mark Sullivan's Favorite Recordings of 2021
by Mark Sullivan
2021 may have been a year best forgotten in many ways, as the pandemic continued to make normal life" look like a distant memory. There was a brief bright spot after the introduction of the vaccines, only to be crushed by the emergence of the Delta variant, then the Omicron. Yet somehow there was plenty of ...
C. Andrew Hovan's Best Recordings of 2021
by C. Andrew Hovan
Even as it seemed that jazz continued its trajectory into the outer limits, there was no lack of pure swinging excellence to experience this past year. Although many of these releases probably flew under the radar of jazz followers with wider ranging tastes, this reviewer always finds it necessary to remind us all how vital and ...
Roy Campbell / John Dikeman / Raoul van der Weide / Peter Jacquemyn / Klaus Kugel: When The Time Is Right
by John Sharpe
This date from 2013 presents New York City based guests trumpeter Roy Campbell and German drummer Klaus Kugel with three Amsterdam-located improvisers as part of the DoEK organization's annual Festival. Campbell, a stalwart of the NYC avant scene who died in 2014, gained early exposure with Jemeel Moondoc's Ensemble Muntu and went on to helm his ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...




