Results for "Lawrence Brown"

Lawrence Brown

Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time

By ARTHUR R GEORGE

Fifty years ago this past year, Coleman Hawkins, considered the father of tenor saxophone in jazz, passed away. Thelonious Monk was pacing back and forth in the hallway outside Hawkins' hospital room when the saxophonist succumbed at age 64 on the morning of May 19, 1969, from pneumonia and other complications. Monk was holding a short ...

Abdullah Ibrahim: Dream Time

By CHRIS MAY

Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences.

Filippo Vignato Quartet e Trio Sclavis, Pifarély, Courtois alla Casa della Musica di Parma

By LIBERO FARNè

Parma Jazz Frontiere Parma Casa della Musica 18-19.11.2017 Con grande coerenza e rigore, fra concerti e presentazioni di libri, laboratori di formazione e incontri, la ventiduesima edizione del festival diretto da Roberto Bonati è in corso di svolgimento fino al 12 dicembre. I due concerti qui recensiti possono ...

Malcolm Griffiths: A Man For All Seasons

By DUNCAN HEINING

We talk often of the stars, like 'Trane and Miles. We remember the bandleaders, such as Basie and Duke. We even recall the composers and arrangers, Ellington again, Gil Evans and Monk. And we never forget those star soloists like Johnny Hodges or Lester Young. But the guys in the machine room, the guys who make ...

Duke Ellington & His Orchestra: Rotterdam 1969

By JACK BOWERS

Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come ...

"Lone Wolf" Finds Plenty to Chew On

By JACK BOWERS

With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...

Johnny Hodges: Second Set

By DAVID RICKERT

Johnny Hodges Second Set Avid Records 2011 Alto saxophonist Johnny Hodges left Duke Ellington's band in 1951 feeling underappreciated and underpaid and convinced that he would have better luck on his own. Unfortunately he was never able to turn his considerable artistry into a lucrative career, and was back with ...

Storyville Records: A Treasure Trove of Swinging Jazz

By CHRIS MAY

Since its foundation during the European revivalist movement of the early 1950s, Copenhagen-based Storyville Records has grown into a major repository of New Orleans, big band and mainstream recordings. With something approaching 600 releases in its back catalogue, the label is a treasure trove of jazz that swings. Founded in 1952 by Danish jazz ...