Results for "Laurindo Almeida"

Laurindo Almeida

Born: September 2, 1917

Laurindo Almeida was born on September 2, 1917, Sao Paulo, Brazil, A fluent and skilled musician, famous in his native country as a classical Spanish guitar player, Almeida came to the USA in the 40s to work in film and television studios(he composed music for over 800 movies & TV series and recorded numerous LPs and CDs).

His jazz work was first widely exposed during a spell with Stan Kenton in the late 40s. Although continuing his film and television work, Almeida also took many opportunities to play jazz, joining forces with bassist Harry Babasin, altoist Bud Shank and drummer Roy Harte in 1953.

Too Cool For Words

by Marshall Bowden
August 18, 2002

This article first appeared on All About Jazz in August 2002. “Something cool...I'd like to order something cool" says the dame in the smoky, slightly seedy bar that is something out of a Raymond Chandler story. The kind of place where maybe there could be trouble at any moment; where maybe a couple of ...

Ralph Towner: The Accidental Guitarist

by Mario Calvitti
January 20, 2026

This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...

They Shot the Piano Player

by Mark Sullivan
March 21, 2024

They Shot the Piano Player Sony Pictures Classics Director: Fernando Trueba Run Time: 103 minutes 2023 They Shot the Piano Player is an animated docudrama that explores the real-world 1976 disappearance of Brazilian pianist Francisco Tenório Júnior. Tenório was a gifted young pianist (34 years old at the ...

Bossa Nova Guitar (Verve Jazzclub)

By Arnaldo DeSouteiro

Label: Verve Records
Released: 2009

Backgrounder: Sammy Sings, Laurindo Plays, 1966

November 18, 2023

One of Sammy Davis Jr.'s finest albums is Sammy Davis Jr. Sings and Laurindo Almeida Plays, an LP he recorded in June 1966 accompanied only by Brazilian guitarist Laurindo Almeida. Captured at United Recordings in Las Vegas and released on Reprise, the album of ballads allowed listeners to hear Sammy's voice exposed in an intimate, near-a ...

Puro

By Laurindo Almeida

Label: Nagel Heyer Records
Released: 2021
Track listing: Moon River; Satin Doll; Air on the G String; Lazy River; Serenade for Alto; Fly Me to the Moon; One Note Samba; Harlem Samba; Mr. Lucky; Alley Cat Song; Meditation; Acapulco 1922; Escadoo; Maria; Bahia on My Mind / Waves / Brazil; Teach Me Tonight; Recado Bossa Nova; Petite Fleur; 'Round Midnight; Route 66; Desafinado; Ramblin' Rose; What Kind of Fool Am I; Lollipops and Roses; Naked City; Canto de Ossanha; Walk Right In; Samba Triste.

Margie Evans, Iconic And Sophisticated Queen Of The Blues, Dies At 81

April 3, 2021

Margie Evans, a legendary, international Blues and Gospel entertainer, songwriter, music producer, actress, music historian, community activist and motivational spokeswoman, who broke barriers for African American female Blues performers with poise, dignity and sophistication, died on March 19, 2021. In addition to her musicianship, Evans is noted as an activist for parity in music education as ...

Darek Oleszkiewicz: Rolls-Royce Groovin'

by Jim Worsley
December 30, 2019

Inspiring greatness has long been the two-word association with the grand luxury of Rolls-Royce. Britain's entry into automobile finery has thus become benchmark terminology. To hear bassist Darek Oleszkiewicz interact, navigate, and improvise with today's finest jazz musicians is to understand why he has been deemed the Rolls-Royce of the modern day upright. Carrying the torch ...

Conrado Paulino

Style "...is like an effortless blend of Joe Pass and Baden Powell" [Fabio Carrilho, Violão PRO Magazine, Brazil]
The style of guitarist, composer and arranger Conrado Paulino is an original fusion of three major musical schools. The first one embraces the repertoire of Brazilian music, a universe from which his creative basis takes its shape.
The second one reveals itself in a jazzy influence that becomes conspicuous in its harmonically modern concept and its ample room for improvisation on his arrangements.
The last one is the utilization of classical guitar techniques, notably in his use of arpeggios and counter-melodies