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440

Article: Album Review

Seamus Blake: Bellwether

Read "Bellwether" reviewed by Woodrow Wilkins


SSome albums are named for a time, a place, an experience, or even a person. Others have a concept. Saxophonist Seamus Blake takes on concept with Bellwether, a term for leader or trendsetter. Born in England and raised in Vancouver, Canada, Blake has gained recognition by Down Beat and JazzTimes magazines, and finished first ...

Album

Reflections

Label: Wommusic
Released: 2009
Track listing: Reflections; You Go To My Head; Fall; East Coast Love Affair; Ask Me Now; Ana Maria; More Than You Know; You've Changed.

309

Article: Multiple Reviews

Stunt Records: Re/Defining Mainstream

Read "Stunt Records: Re/Defining Mainstream" reviewed by Jakob Baekgaard


In Denmark, Stunt Records is the jazz label which appeals to the widest audience. The music it releases could be characterised as mainstream jazz, but it doesn't have the negative connotations that sometimes go with the term. It simply means that the label knows how to combine adventurousness and accessibility. When it comes to genre, the ...

170

Article: Album Review

Jon Lundbom & Big Five Chord: Accomplish Jazz

Read "Accomplish Jazz" reviewed by Jakob Baekgaard


The lineage of guitarists with a lyrical bent is staggering. From Charlie Christian to Kurt Rosenwinkel, guitarists have often been praised not only for their technical skills, but also for their ability to sculpt finely woven lines of melody. Beauty, however, is a strange thing and there is also another school of guitarists to which belongs ...

496

Article: Album Review

Seamus Blake: Bellwether

Read "Bellwether" reviewed by Robert Dugan


This is a great period for tenor players, with some of the best in our midst: Chris Potter, Jimmy Greene, Donny McCaslin, Marcus Strickland, and Seamus Blake, among others. Surfacing in the Mingus Big Band during the nineties, Blake's aggressive edginess was impressive in a group which took no prisoners. The tenor saxophonist more than held ...

326

Article: Album Review

Adam Rogers: Sight

Read "Sight" reviewed by John Kelman


Guitarist Adam Rogers returns with Sight, an album that continues his exploration of heady originals and standards, in the trio format that, with Time and the Infinite (Criss Cross, 2007), took a left-turn from his earlier quartet and quintet records. Surrounded by friends old and new on Time, with Sight Rogers returns to longtime ...

171

News: Interview

Guitarist Kurt Rosenwinkel Interviewed at AAJ...And More!

Guitarist Kurt Rosenwinkel Interviewed at AAJ...And More!

Broadly acknowledged as one of jazz's foremost artists, Kurt Rosenwinkel has established a reputation as an innovator and constant seeker on the guitar. He has carved out a unique sound over many years of experiment and refinement and today commands respect for his singular voice as a player and bandleader. As a follow-up to the successful ...

1,223

Article: Interview

Kurt Rosenwinkel: Reflections from Berlin

Read "Kurt Rosenwinkel: Reflections from Berlin" reviewed by Franz A. Matzner


Broadly acknowledged as one of jazz's foremost artists, Kurt Rosenwinkel has established a reputation as an innovator and constant seeker on the guitar. He has carved out a unique sound over many years of experiment and refinement and today commands respect for his singular voice as a player and bandleader. As a follow-up to ...

507

Article: Album Review

Kurt Rosenwinkel Standards Trio: Reflections

Read "Reflections" reviewed by John Kelman


After the incendiary The Remedy: Live at the Village Vanguard (ArtistShare, 2008), guitarist Kurt Rosenwinkel returns with Reflections, an intimate, ballad-heavy album that couldn't be more different. On the surface, with a set largely composed of standards, and trimmed down to a trio from the quartets and quintets of his past few years, it might appear ...

490

Article: Multiple Reviews

The Art of the Trio: John Patitucci, Kurt Rosenwinkel, Marcus Strickland

Read "The Art of the Trio: John Patitucci, Kurt Rosenwinkel, Marcus Strickland" reviewed by J Hunter


Pianist Brad Mehldau got flak for naming a series of discs “The Art of the Trio." But it really is an art, and no more so than when the lead instrument is not a piano, or any member of the keyboard family. Think about it. Without the myriad capabilities of Mehldau's instrument, a trio's leader must ...


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