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Vijay Iyer: Blood Sutra
by Kurt Gottschalk
Pianist Vijay Iyer isn't afraid of big ideas. He premiered a song cycle about urban life and ethnicity and lives in transit" at the Asia Society in May (documented on the Pi Recordings release In What Language, also released this month), and is the 2003 recipient of the CalArts Alpert Award in the Arts in the ...
Liberty Ellman: Tactiles
by Kurt Gottschalk
There's something remarkable about musicians employed by Henry Threadgill. While they're virtually guaranteed to be exceptional players, their personal styles are almost entirely eclipsed by the challenge of his compositions. Going all the way back to the Fred Hopkins/Diedre Murray duo, what you get with Threadgill's bands is very different from what you get with the ...
Jason Roebke: Rapid Croche
by Kurt Gottschalk
In some contexts, Chicago bassist Jason Roebke plays the sort of quiet sputters of sound that somehow gets lumped into jazz. His project Art Union Humanscape with dancer Ayako Kato performed at the Joyce Soho in September with Chicago ex-pat percussionist Tim Barnes in a setting of beauteous sound and silence. With his trio, however, he ...
Joseph Jarman
by Kurt Gottschalk
Chicago was my indoctrination. In 1990, I attended the 25th anniversary of the Association for the Advancement of Creative Musicians. I was basically an avant rock fan, overly confident in my then miniscule knowledge of free music. I wish now I even knew who I saw during that weekend festival, but it was one of the ...
Steve Swell: Still in Movement; tHiS nOw!
by Kurt Gottschalk
That Steve Swell is a hell of a trombone player should come as no surprise. There are few who take on the difficult horn, and fewer still who master it. What should be noted, however, is his emergence as a bandleader. Swell has helped to define a number of strong groups, from Joey ...
Yitzhak Yedid: Myth of the Cave
by Kurt Gottschalk
Thirty two year-old Israeli pianist Yitzhak Yedid has issued a considerable statement. In Myth of the Cave, he has created a work with a heady high concept that's still eminently musical. His composed suite with improvised passages avoids falling into the usual jazz trappings. It suggests classicism without wading into pretension.Plato's "myth of the ...
Patty Waters
by Kurt Gottschalk
To contemporary ears, ESP is a legendary label marking some of the lesser known free jazz experiments of the ‘60s, with a catalogue including titles by Frank Lowe, Sunny Murray, Ornette Coleman, Paul Bley, Milford Graves and Sun Ra. But during its course, from 1964 to 1975 (with many of the titles reissued by a variety ...
Raphe Malik: Companions
by Kurt Gottschalk
It's hard to imagine 45 years, hence that one of the things that was so controversial about Ornette Coleman's emergence was that he gave up on employing a pianist. The sax/trumpet/bass/drum quartet has become commonplace in the modern jazz world since that time (Other Dimensions in Music and Masada leap to mind as two of today's ...
Kali Z. Fasteau: Oneness
by Kurt Gottschalk
Kali Fasteau is the keeper of a flame. While the high-octane experiments of the '60s New Thing are largely kept alive today by emulation, Fasteau holds to the era's spirit of exploration. Rather than engaging in long-winded blowing sessions, her interest lies in jazz-based journeys using different instrumental voices and cultural traditions as a vehicle. She ...
Wolfgang Fuchs: New Flags
by Kurt Gottschalk
What's immediately notable about New Flags is the notes. The music contained is a remarkable, fast-paced meeting of reeds, percussion, the koto-like stringed guzheng and voice: tightly wound, impressionistic improv, of-the-moment and not restrained by traditional jazz idioms. (And as it was recorded at the German new music festival Total Music Meeting, this comes as no ...





