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About Knut Finsrud

Results for pages tagged "Knut Finsrud"...

Musician

Knut Finsrud

Album

Gratitude

Label: From Out Here Music
Released: 2026
Track listing: Frostblad; Good Enough; Tystrup Sø; A Much Simpler Song; And So It Goes; Silent Listener; Chico; Throw It Away; Gratitude.

4

Article: Album Review

Soren Bebe: Gratitude

Read "Gratitude" reviewed by Mike Jurkovic


If, in fact, there is a quiet no one hears, it still needs a translator, and that translator can very well be Danish pianist Soren Bebe and that translation is Gratitude, a rootsy triumph of mettle over turmoil. Silence over the trading of coin. David over Goliath. Cutting to the chase, Gratitude --held together ...

Album

Alt er Luft

Label: ILK Music
Released: 2024
Track listing: Ø; Vi; Går; Blad; Bølge; Mellem; Vekslen; Menneske; Perlejord.

2

Article: Album Review

Simon Toldam: Alt er Luft

Read "Alt er Luft" reviewed by Jakob Baekgaard


There was a time when it was avant-garde to play loud and fast, but in a world that is already moving at full speed without looking back, the new avant-garde is to take it slow and reinstate the value of contemplation. It is hard to stretch time, and many movies have succumbed to fast cutting, but ...

16

Article: Album Review

Søren Bebe Trio: Here Now

Read "Here Now" reviewed by Mike Jurkovic


Here Now, pianist Søren Bebe's seventh outing with his long time bassist Kasper Tagel and new-to-the-fold drummer Knut Finsrud, is one of those recordings one wants to keep in the travel bag or glove compartment when the day, like a runaway train, starts to pull away. Calling upon the sage wisdom of classicists like ...

Album

Epik Didaktik Pastoral

Label: BoogiePost Recordings
Released: 2020
Track listing: Vagen Som Landet; Utan Vilja; Dekorum l Hog; Badboll; Badboll Gles; Dekorum ll Medel; 100 Takter Med Piano; Blacklocka Angsklocka; Dekorum lll Lag; Omstart; Svedjebruk.

4

Article: Album Review

Simon Toldam Trio: Omhu

Read "Omhu" reviewed by Jakob Baekgaard


The bebop and hard bop revolution of the forties and fifties made speed a virtue as razor-sharp unison lines cut through the rhythms. A saxophonist like Johnny Griffin was praised for his fast way of playing that also underlined his technical virtuosity, and the muscular style signaled a music completely in touch with modernity.


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