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Smoke Sessions: Cyrus Chestnut, Orrin Evans and Eric Reed
by C. Michael Bailey
Cyrus Chestnut Midnight Melodies Smoke Sessions 2014 Elegance and economy characterize Cyrus Chestnut's art. Chestnut's career was the one Kenny Kirkland could have had had Kirkland's fate been different. Chestnut (and Evans and Reed) represent the generation given way to with the passings of Mulgrew Miller and Cedar ...
Orrin Evans: Hot Irons In The Fire
by R.J. DeLuke
A pianist with great chops, great touch and an attack that fancies many influences from fierce swing to gospel, Orrin Evans is one of the outstanding creative musicians on the New York City scene. His work, no matter what the context--and he loves different contexts--is downright riveting at times. But for the 38-year-old who ...
Eric Legnini: The Afro Beat from Europe
by Jean-Pierre Goffin
Starting very young with his own trio--Stéphane Galland (Aka Moon, Joe Zawinul, Lobi) on drums and Jean-Louis Rassinfosse, bassist of the European Chet Baker's trio with Philip Catherine--Eric Legnini left Brussels and has been living in Paris since then, appearing first with drummer Aldo Romano, alto saxophonist Stefano Di Battista and trumpet player Flavio Boltro. His ...
Miroslav Vitous Group
by John Kelman
With the ongoing demand for historic titles to see first-time CD issue, ECM has raised the ante even further with Re:solutions: seven classic recordings, released on CD (four available for the first time and one previously only available for a limited time in Japan), vinyl and high resolution digital formats. They're all important, but 1981's Miroslav ...
Gerry Gibbs Thrasher Dream Trio
by Chris M. Slawecki
Drummer, composer and bandleader Gerry Gibbs--son of renown vibes player and bandleader Terry Gibbs--grew up playing with musical legends from jazz traditionalists such as Clark Terry and James Moody, to Gary Bartz and Sam Rivers and other more adventurous conceptualists, to Parliament-Funkadelic and other artists who skirt the fringes in between. Gibbs' exceptionally dexterous work with ...
Vámanos – Let’s Go!
by Chris M. Slawecki
As jazz continues to indelibly leave imprints on music all over the globe, this column explores everything from classic 1960s and '70 singles from Peru to contemporary updates of traditional blues from Turkey and Greece. Vámanos--let's go! Ҫiğdem Aslan Mortissa Asphalt Tango 2013 Ҫiğdem Aslan was born in the ...
Jazz Musician of the Day: Kenny Kirkland
All About Jazz is celebrating Kenny Kirkland's birthday today! Beginning his career as a teacher of classical music, Kenny Kirkland next became a jazz musician. Later he emerged from his jazz chrysalis as a practitioner of exotic pop/rock music and finally shed his wings to follow the mundane but financially more stable profession of studio musician. ...
Billy Childs: Pushing Past Preconceptions
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Billy Childs is simply one of the baddest musicians on the planet. He's a brilliant jazz pianist, having received much acclaim as a sideman with legends as well as from being a bandleader. His Windham Hill recordings--Take For Example, This....., His April ...
Jim Snidero: A Tale Of Taste
by Dan Bilawsky
What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...
Robert Hurst: BoB: a Palindrome
by Steve Bryant
Detroiter Robert Hurst has been considered one of the best bassists to come out of the Jazz Renaissance of the '80s. His melodicism, technique, and harmonic acumen positioned him as a first- string bass man. Trumpeter Wynton Marsalis made him his bottom man for the better part of the '80s, and as part of saxophonist Branford ...
