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Eleonora Strino: Leading The Way
by Ian Patterson
Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, ...
Anest, Kendrick, & McKinney: Live at the Blue LLama, Volume 1 & 2
by C. Andrew Hovan
When it comes to talent, there's no shortage of gifted jazz artists that call Michigan their home. The Jones brothers long ago put Detroit on the map, but water-tight music programs at Michigan State and the University of Michigan have produced a thriving community of vital musicians. On any given evening, there's live jazz to be ...
Jim Josselyn: Shape Shifter
by Kyle Simpler
Keith Richards once said if you don't know the blues, there's no point in picking up the guitar." This is certainly true about rock, but it could just as easily apply to jazz. Many of the great jazz guitarists have roots in the blues, and Jim Josselyn is no exception. His album Shape Shifter offers a ...
Detroit Jazz Festival 2023: A Celebration of Home
The 2023 Detroit Jazz Festival is almost upon us, taking place in its annual Labor Day weekend slot on the yearly jazz festival calendar. The largest free jazz festival in the world brings the music to the people of Detroit, and the world, on September 1-4 in downtown Detroit and in Hart Plaza along the Detroit ...
Color Red Records: A Label, Sound, and Vision
by Chris M. Slawecki
When Eddie Roberts, leader of The New Mastersounds, moved to Denver, Colorado, in 2015, he discovered a local music scene that contributed to his vision for a new type of music organization: a label that would be more than a label, producing and releasing music that would be more than (good) music--music that would establish a ...
Que Viva La Musica
by C. Andrew Hovan
Much has been made about the making of a hybrid style involving Latin music and jazz strains that was established by Dizzy Gillespie and Chano Pozo in the late '40s. However, the ripples of those early experiments would reach far and wide for subsequent decades, even if the casual listener might have been largely unaware of ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...
Shirley Scott, Dave McMurray & Melissa Pipe
by Joe Dimino
From a modern day multi-instrumental master from Canada, we begin the 805th Episode of Neon Jazz with Melissa Pipe and her sextet and music from Of What Remains. From there, we dig into some new releases from Ben Cassara, Dave McMurray, Shirley Scott, Florian Arbenz and up and comer Sam Butler. We round it all out ...


