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Harvey Valdes: Roundabout
by Chris Mosey
New York guitarist Harvey Valdes started out at the age of 12 listening to bands like Napalm Death, Sacred Reich and Sick Of It All. “It was the music that spoke to me: loud, heavy and with a ton of attitude," he told the zine Guitar Moderne. “I would bring in a cassette ...
Howard Rumsey: The Lighthouse All Star
by Rex Butters
Reprinted from August 2007. With the release of Ken Koenig's exhaustive, enlightening, and entertaining DVD history of a SoCal treasure, Jazz on the West Coast: The Lighthouse (RoseKing Productions, 2005), 89 year-old Howard Rumsey returns to the spotlight. Bassist, booker, and raconteur extraordinaire, Rumsey presented the best jazz shows in Los Angeles for ...
International Jarek Smietana Jazz Guitar Competition 2015
by Ian Patterson
International Jarek Smietana Jazz Guitar Competition Krakow, Poland July 1-4, 2015 Szymon Mika, a twenty-four year old Polish guitarist, won first prize in the inaugural International Jarek Smietana Jazz Guitar Competition, held in Krakow from 1- 4 July. An international jury comprising John Abercrombie, Karol Ferfecki, Mike Stern, Wojciech Karolak, Ed ...
Charlie Rouse: Bossa Nova Bacchanal – 1962
by Marc Davis
What a happy record! And what a delightful change from the usual 1960s Blue Note formula. You know the drill. In the 1960s, Blue Note was the go-to label for two kinds of jazz: hard bop and soul-jazz. But Blue Note was never the reigning bossa nova label. When the Brazilian phenomenon swept the ...
Donald Byrd: A New Perspective - 1963
by Marc Davis
A New Perspective is unlike any jazz album you've heard before--and the change is refreshing. The biggest difference? Voices--singers, but not jazz singers. A New Perspective includes a seven-voice gospel choir, singing wordless syllables. Not scat, but pure notes. At first, the choir feels wrong. The very first notes of this 1963 ...
Stanley Turrentine and The 3 Sounds: Blue Hour – 1960
by Marc Davis
Every good record collection has music for many moods. Feeling frantic? Try Dizzy Gillespie or the Ramones. Feel like dancing? Definitely the big bands. Feeling wistful? Maybe Ben Webster or Frank Sinatra. But if you're feeling blue, you need Stanley Turrentine, and Blue Hour is exactly the right prescription. Stanley Turrentine is ...
Laid-Back Jazz Guitar: Kenny Burrell and Grant Green
by Marc Davis
When I'm in the mood for jazz guitar, I have two go-to albums: Kenny Burrell's Midnight Blue and Grant Green's Idle Moments. It always surprises me. Growing up in the 1960s and '70s, I was a big fan of hard and fast rock guitars. Who wasn't? Jimi Hendrix, Jimmy Page, Keith Richards, Pete Townsend. ...
Burt Eckoff: A Pianist's Close Encounters With the Greats of Jazz
by Idelle Nissila-Stone
Active in the New York City jazz scene since the 1960s, pianist Burt Eckoff played with many jazz greats, among them Howard McGhee, Maynard Ferguson, Art Blakey, Sonny Stitt and Archie Shepp. He is known for exceptional artistry in his work with vocalists Dionne Warwick, The Drifters, Eddie Jefferson, and most importantly Dakota Staton, with whom ...
Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
Michael Brecker: He Can Groove Any Way You Want
by Mike Brannon
This article was originally published at All About Jazz in August 1998. Once one half of the world renown Brecker Brothers and full time studio legend, tenor saxophonist Michael Brecker relinquished that throne to form a group and deliver his own material. Though the Coltrane influence is present in spirit, its simultaneously transcended, skewered even, by ...
