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Sly Stone, Tessa Souter, Cedar Walton
by David Brown
This week we remember progressive soul and funk pioneer Sly Stone of Sly and the Family Stone with two interpretations of his classic tunes: “Family Affair" from Bobby Hutcherson and “If You Want Me to Stay" from David Murray. Songs featuring some wonderful “oohs" and “aahs" in the background will be follow from Nina Simone and ...
Steve Holt: Impact
by Jack Kenny
To create a new album after a twenty-year gap is intriguing. In his long career Steve Holt has worked with Archie Shepp, Larry Coryell Eddie Henderson, Pat LaBarbera, James Moody and Michel Urbaniak. He studied with Kenny Barron, an experience that affected his keyboard style. Surrounding himself with some major Canadian musicians, he has ...
Al Foster: Monk’s Bossa
by Carl Medsker
On May 28, 2025, Aloysius Tyrone Foster passed away at the age of 82. He brought strong, imaginative, percussive grooves and swing to bebop, post-bop, modal, funk and fusion for over 60 years--even a little calypso and bossa. A very partial list of the musicians Al Foster performed with includes Dexter Gordon, McCoy Tyner, Sonny Rollins, ...
Linda May Han Oh: The Imperative
by Carl Medsker
Congratulations to Linda May Han Oh for adding the 2025 Jazz Journalists Association Bass Player of the Year award to her collection of accolades. Since emigrating to the United States from Australia in 2006 (she was born in Malaysia), Oh has built an impressive career, making significant contributions to works by Dave Douglas, Terri Lyne Carrington, ...
Nick Brignola: Between A Rock And The Jazz Place, Part 2
by Rob Rosenblum
Part 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
Freddie Hubbard: On Fire: Live From The Blue Morocco
by Pierre Giroux
Freddie Hubbard was never one to play it safe. Even at a time when jazz was bending in myriad directions--from the structural freedom of Ornette Coleman's harmolodics to the modal explorations of Miles Davis--Hubbard maintained a singular focus on the power of his horn. In the newly unearthed performance On Fire: Live from Blue Morocco, Resonance ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Freddie Hubbard: On Fire: Live At The Blue Morocco
by Dan McClenaghan
Trumpeter Freddie Hubbard (1938 -2008) began his professional jazz journey in 1960 as a full-blooded hard bopper, recording his first album in that year for Blue Note Records, Open Sesame. Much of the ensuing decade saw him in several Blue Note outings under his own name and as a side man. He also recorded sets for ...
Kenny Barron, Mitch Towne, Zhengtao Pan and The Count Basie Orchestra
by Joe Dimino
Kicking off the 901st episode of Neon Jazz, we ride in with the legendary sounds of the world-famous Count Basie Orchestra. As Kansas City gears up for the grand 90th Celebration of Count Basie at The Music Hall on April 30, 2025, we shine a spotlight on band director Scotty Barnhart and the powerhouse ensemble keeping ...
