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Farewell to a Behind-the-Scenes Festival Legend, Monterey Jazz Festival at 66
by Josef Woodard
This year's model of the Monterey jazz festival, now up to its 66th annual, felt overall like one of the strongest and most balanced of the past decade. Salient highlights included a stunning African-flavored commissioned work, Isakoso Ara, from Ambrose Akinmusire--one of the proudest products of this festival over many years--along with a saucy and artful ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
Wasted Generation: Introducing Wasted Generation
by Neil Duggan
The Italian group, Wasted Generation can often be found playing the clubs and festivals around Rome. They usually play straight ahead jazz but their first album Introducing Wasted Generation, reveals a totally different side of their character. This album shows a young band focused on free contemporary jazz, melodic explorations and an avant-garde approach to improvisation. ...
Jazz Musician of the Day: Kendrick Scott
All About Jazz is celebrating Kendrick Scott's birthday today! Drummer and composer Kendrick Scott kicked off his Blue Note contract four years ago with We Are the Drum. Expertly produced by Derrick Hodge, Scott’s creative confidant and musical brother, and featuring a stunning guest performance by vocalist Lizz Wright, it earned rave reviews and reiterated how ...
Sacred & Profane
by Michael Ambrosino
No sacred cows here. And the only profanity you'll hear is the jazz police complaining about so much music breaking their archaic rules. On this episode of Currents we feature Joe Chambers, Eric Reed, Bobby Sanabria, Matt Ulery, Lauren Henderson, Kendrick Scott, Joe Farnsworth, Snarky Puppy, Leon Foster Thomas, Vince Mendoza, Alvaro Rojas and Sanah Kadoura. ...
Kendrick Scott: Corridors
by Chris May
Some of the press releases coming out of Blue Note's Los Angeles HQ since the pandemic have been ripe for inclusion in British satirical magazine Private Eye's Desperate Marketing column. In this, the Eye prints particularly egregious, or just plain laughable, attempts by publicists to hook-up what they are selling with headline news events, or to ...
Eric Reed Quartet at Smoke
by Nick Catalano
A garrulous Eric Reed traveled from his teaching gig at the University of Tennessee to lead a quartet at Smoke on March 9, 2023. Before the first set began Reed delivered lengthy commentary on Miles Davis, Benny Golson and the recently deceased Wayne Shorter, and included compositions by the latter two in the opening set. His ...
Jimmy Greene: Gifts and Givers
by C. Andrew Hovan
The two-tenor battle is not a new idea, with iconic pairings from the jazz pantheon running the gamut from Dexter Gordon and Wardell Gray to Eddie “Lockjaw" Davis and Johnny Griffin. In more recent times, Eric Alexander and Grant Stewart have fueled the fire with their own incendiary adventures as heard on the current albums Wailin' ...
Kendrick Scott: Corridors
by Mike Jurkovic
Drummer Kendrick Scott's A Wall Becomes A Bridge (Blue Note, 2019) was everything to everybody and then some. Optimistic yet well aware of the roiling contradictions beneath it all, the formidable Corridors, its revivalist tenor intact, carries on that spirit of interplay and common alliance. Breaking from the start with the loping, street-smart, stride ...
