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Something Old
by Patrick Burnette
The boys start their trawl through some best-of-decade picks they missed during the last eight years by focusing on four albums in the, let's face it, somewhat amorphous “something old" category. By which we mean, I think, albums on best of decades lists featuring well-established artists playing in fairly familiar modes. Any, the results are mixed ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
Be-Bop Django and a Whole Lot More
by Marc Cohn
A show for you? Of course. We start with twenty-first century music from pianist Andy Adamson, trumpeter Farnell Newton, saxophonist Troy Roberts, and guitarist Jocelyn Gould. Not enough guitar? Well, Joe Pass plays Django Reinhardt, and then Django plays bebop from his last recording session before his death--quite a revelation if the only Django you've heard ...
Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists
by Victor L. Schermer
[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an ...
Emma Swift's Multitudes
by Eric Gudas
As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...
My Conversation with Gary Peacock
by AAJ Staff
Having been in the political arena, I know first hand the power of celebrity's undertow. It has a way of casually siphoning the integrity of a candidate. Fame and power in politics, I find, is quite similar in our music, and that it is no fluke that artists “sell-out." But Gary Peacock has not. The bassist ...
Meet Marc Cohn
by Marc Cohn
Meet Marc A. Cohn Dr. Cohn is a New Yorker-in-exile and has been doing jazz radio as an avocation since 1967. He is Professor Emeritus in Seed Biology at Louisiana State University, where he has won numerous teaching awards. He is a widely recognized authority on seed dormancy, is Editor Emeritus of Seed Science Research (the ...
Rudresh Mahanthappa: Hero Trio
by Jerome Wilson
Alto saxophonist Rudresh Mahanthappa previously espoused his love of Charlie Parker on his album Bird Calls (ACT, 2015). Here he expands on that to pay tribute to, not only Parker, but other influences such as Ornette Coleman, Johnny Cash, and Keith Jarrett. Mahanthappa leads a freewheeling trio, with Francois Moutin on bass and Rudy ...
Alessandro Giachero: consapevolezza e ricerca
by Neri Pollastri
Pianista, compositore, improvvisatore, didatta, Alessandro Giachero è tra i musicisti più interessanti e originali del nostro Paese. Dopo aver assistito a un suo splendido concerto per piano solo e in occasione dell'uscita del primo disco della sua più recente formazione, l'ensemble Sonoria, lo abbiamo intervistato per conoscere meglio il suo percorso artistico e il suo modo ...
Summer 2020
by Doug Collette
Jazz Journal is a regular column comprised of pithy takes on recent releases of note, spotlighting titles that might otherwise go unnoticed or that deserve special attention. Claus Waidtløw The Game Self Produced 2020 A saxophonist who, over the last 3 decades, has recorded and toured with a ...
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