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9

Article: Interview

Sam Sadigursky: Making Things

Read "Sam Sadigursky: Making Things" reviewed by Katchie Cartwright


Los Angeles-bred New York-based clarinetist and multi-reedist Sam Sadigursky enjoys a varied and distinguished career, performing and recording with a number of renowned ensembles, including those of composers Darcy James Argue and Philip Glass, pianists Brad Mehldau and Fred Hersch, pop stars David Byrne and Tom Jones, among others, in addition to his own projects.

7

Article: Album Review

Gabriela Machado: Equilibrando no Acupe

Read "Equilibrando no Acupe" reviewed by Katchie Cartwright


Choro's popularity is on the rise. In the US, camps like Brazil Camp, Choro Northwest (aka Centrum Choro Workshop), Choro Camp New England and programs like Antonio Adolfo's Brazilian Music Workshop have attracted top artist-teachers, and eager students have brought the genre back to their local communities. Equilibrando no Acupe, a program of original choro compositions, ...

17

Article: Interview

Savina Yannatou: Letting the Voice Go Where It Goes

Read "Savina Yannatou: Letting the Voice Go Where It Goes" reviewed by Katchie Cartwright


Savina Yannatou flies through vast reaches of space and time as she works, like the swallows and warblers who traverse the Sahara, stopping in Greece on their annual pilgrimage to breeding grounds in the North, thousands of miles away. She is an artist “beyond category," to borrow Duke Ellington's phrase, whose programs and performances combine Mediterranean ...

5

Article: Album Review

Mafalda Minnozzi: Riofonic

Read "Riofonic" reviewed by Katchie Cartwright


Singer Mafalda Minnozzi, who already had a solid recording career in Italy, went to Rio for a date in the late 1990s, stayed for a year, then decided to make it her home. Like many musical immigrants to that great city, she went to feel the salt air, to drink in the natural beauty and learn ...

9

Article: Album Review

Yuki Yamamura: View of 124

Read "View of 124" reviewed by Katchie Cartwright


Japanese bassist Yuki Yamamura and his trio mates, pianist Junichiro Mataga and drummer Yosuke Nagayama, cut their teeth in Japan, studying jazz from an early age with top Japanese player-teachers. They now live in New York, soaking up and contributing to the sounds of the great city, taking in the View of 124. 124th Street that ...

5

Article: Play This!

Gregory Alper: Palisades Apocalypse

Read "Gregory Alper: Palisades Apocalypse" reviewed by Katchie Cartwright


Rachel Carson served us with this warning in 1962: “We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. ...

14

Article: Caminhos do Jazz

Laura Dreyer: Dancing Through Time

Read "Laura Dreyer: Dancing Through Time" reviewed by Katchie Cartwright


When something sparks her creativity, Laura Dreyer is the sort of person who jumps in with both feet and gets right down to business. A multi-hyphenate artist, saxophonist-flutist-composer-teacher-clinician, she has been serious about jazz since junior high school in El Cerrito, California, across the bay from San Francisco. “El Cerrito High had an award-winning--like state champion ...

7

Article: Album Review

Amber Weekes: A Lady With a Song

Read "A Lady With a Song" reviewed by Katchie Cartwright


Irving Berlin wrote “Suppertime" (aka “Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted “Heat Wave" in the show.

18

Article: Interview

Kinan Azmeh: Berlin and Beyond

Read "Kinan Azmeh: Berlin and Beyond" reviewed by Katchie Cartwright


Syrian-born New York-based clarinetist and composer Kinan Azmeh and his CityBand released Live in Berlin on March 1, 2025 (recorded in 2021), dedicating the project to the people of Syria with this statement: “It moves me profoundly to be sharing this album with the world as my Syrian people are able to sing again after the ...

7

Article: Album Review

Sivan Arbel: Oneness

Read "Oneness" reviewed by Katchie Cartwright


Sivan Arbel's compositional practice is alternately “nerdy," as the singer-composer describes it, and “stream of consciousness." In her studio, she labors meticulously over the nuts and bolts: rhythmic patterns, harmonic changes, melodic turns. Once the fundamental elements are in place, though, she sits at her piano and “squeezes the sponge," improvising words and music freely, reaching ...


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