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Melanie Charles: Y'all Don't (Really) Care About Black Women
by Angelo Leonardi
Questo primo album della cantante Melanie Charles per l'etichetta Verve apre alla cantante di Brooklyn un pubblico più ampio della nicchia dove ha operato finora: quell'universo dove s'incontrano nu—jazz, neo—soul, spiritual jazz e sperimentazioni elettroniche con campionamenti e remixaggi. Attiva da un decennio in quest'area la Charles non è solo una splendida vocalist ...
Geri's Dance - The Geri Allen Songbook, Part 2
by Ludovico Granvassu
Welcome to the second part of this week's edition of Mondo Jazz dedicated to the one and only Geri Allen (click here for Part 1), the monumental pianist who would have turned 65 this year, and has left a body of work that will continue to play a fundamental influence on generations of musicians. Her unique ...
Sources & Angles
By Dan Waldman
Label: Not on Label
Released: 2020
Track listing: Back by Due Regards; Folk Song; Bowery & Patternation; Life Imitates Art; Planet Vulcan; End of
Winter; Beginning.
20 Seattle Jazz Musicians You Should Know: Thomas Marriott
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 1930's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Kassa Overall: I Think I'm Good
by Serena Antinucci
We might never know what exactly happens in the creative mind of Brooklyn-based producer and drummer Kassa Overall. However, his latest album, I Think I'm Good (Brownswood Recordings), gives us an insight in his swirling imagination. The sophomore release by one of the brightest musicians of the New York jazz scene, I Think ...
Kassa Overall racconta il suo secondo album
by Serena Antinucci
Quello che succede nella mente creativa del trentaseienne producer e batterista jazz Kassa Overall non lo sapremo mai. Siamo sicuri? In realtà, nel suo ultimo disco I Think I'm Good, uscito per la Brownswood Recordings a gennaio 2020, ci concede un giro nella sua immaginazione vorticosa. Il secondo album di uno dei migliori musicisti ...
Lakecia Benjamin, Kenny Barron-Dave Holland, Kassa Overall & New Releases
by Ludovico Granvassu
In our weekly exploration of new releases, here are beautiful albums featuring piano trios, adventurous guitarists, Miles Davis alumni, a tribute to John Coltrane and vocalists that explore electro-acoustic soundscapes. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Franck Amsallem “Baton Rouge" Gotham Goodbye (jazz&people) ...
Results for pages tagged "Kassa Overall"...
Kassa Overall
Kassa Overall, drummer, producer and recording artist, is a rising star on today’s music scene. Encompassing all styles and traditions of music, he works with artists ranging from jazz to hip-hop, indie-pop to avante-garde. As a drummer, Overall has been an integral part of Geri Allen’s Timeline band which has toured extensively throughout the U.S. and Europe for the past three years. You can hear their latest work on Geri allen’s latest release entitled “Timeline Live.” Being an extremely versatile drummer that can shine in any situation, he has also been making an impact on the indie-pop scene touring with artists such as Francis and The Lights, Gordon Voidwell, TECLA and Mayer Hawthorne. Utilizing the capabilities of laptops and samplers on stage is a key element to Overall’s signature sound
2020 Winter JazzFest Marathons: A Survival Guide
by Ludovico Granvassu
Believe it or not, it is that time of the year again! The holidaze are barely over and a new edition of Winter JazzFest is upon us. Knowing a jazz marathon is the perfect antidote to the holiday shopping and social marathons, producer Brice Rosenbloom and his cohorts have put together a program of gargantuan proportions. ...
Kassa Overall: Living in the Cut between Jazz and Hip Hop
by Leo Sidran
Drummer, rapper and producer Kassa Overall speaks about the intersection of jazz and hip-hop, the importance of getting “comfortable with being bored so you can get better at your instrument," the relationship between great drumming and the sounds of nature, how growing up far away from the “scene" gave him a strong sense of personal identity, ...
