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Soft Machine: Live At The Baked Potato

by Chris May
Live At The Baked Potato was recorded in Los Angeles in 2019 as part of Soft Machine's 50th Anniversary Tour. (Fact check: 2019 was the band's 53rd and this lineup's fourth anniversary). The latest album is a lot of fun even though it bears little resemblance to the music of the revolutionary 1966 -1969 lineups featuring ...
Results for pages tagged "Karl Jenkins"...
Julie Tippetts: Didn't You Used To Be Julie Driscoll?

by Duncan Heining
The respect in which Julie Tippetts is held by her fellow musicians and fans is truly heartening--and truly deserved. Back in the late sixties, then Julie Driscoll, she gave up a very different career trajectory in music, one that had begun with Steampacket and continued with Brian Auger & The Trinity, to follow a journey characterised ...
Soft Machine: Switzerland 1974

by Glenn Astarita
Much has been written about this vastly influential and time-honored jazz fusion unit that skirted the avant-garde spectrum, especially when saxophone great Elton Dean was in the band, in addition to its psychedelic persuasions during the 60s. This 1974 live concert in Switzerland, features soon-to-be guitar god Allan Holdsworth's entry into the band's lineup. At this ...
Avanti o indietro?

by Alberto Bazzurro
La più o meno contigua uscita di reperti d'epoca di Jarrett, Osborne e Soft Machine ci induce a una disamina a largo raggio su cos'era e verso dove si muoveva il jazz, pur inteso in senso lato, nell'epoca in cui tanti ragazzi provenienti dal rock più o meno progressivo vi confluivano a frotte. Cercando anche di ...
Nucleus with Leon Thomas: Live 1970

by Bruce Lindsay
Combine a British jazz-rock outfit with an American vocalist. Put them on stage at the 1970 Montreux Jazz Festival. Record the gig, pop the tapes in a safe place for over 40 years, then give them to the talented team at Gearbox Records. The result is Live 1970, by Nucleus With Leon Thomas, a beautifully produced, ...
Graham Bond: Wading in Murky Waters

by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Cuneiform Records: Growing Progressive Music for 27 Years

by Mark Redlefsen
Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...
MoonJune Records: A Decade of Progressive Rock Documentation

by Mark Redlefsen
On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, Moon In June," ...
Soft Machine: Tales of Taliesin: The EMI Years Anthology 1975-1981

by John Kelman
With the release of Bundles (Harvest, 1975), Soft Machine moved more definitively into the riff-based fusion territory that keyboardist/reed man Karl Jenkins had begun pushing the band since his arrival on Six (Sony, 1973). With reeds becoming increasingly less dominant, and the group's only remaining founding member, keyboardist Mike Ratledge, relegated to a backline position, this ...