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25

Article: Album Review

Wayne Horvitz: Some Places Are Forever Afternoon

Read "Some Places Are Forever Afternoon" reviewed by Karl Ackermann

by Karl Ackermann

Poet and essayist Richard Hugo, a celebrated son of Seattle, was best known in his short life for his straight-forward but moving portrayals of the stark realities of the Pacific Northwest, both people and places. His works have previously been documented in print and on film and now by pianist/composer Wayne Horvitz who pays tribute to ...

22

Article: Album Review

Enrico Rava Quartet with Gianluca Petrella: Wild Dance

Read "Wild Dance" reviewed by Karl Ackermann

by Karl Ackermann

The senior statesman, and easily the most recognizable name in Italian jazz, trumpeter Enrico Rava returns with a revised quintet line up on Wild Dance. Rava, who early in his career worked with saxophonist Steve Lacy, pianist Mal Waldron and trombonist Roswell Rudd, later went on to team with drummer Tony Oxley and sit in with ...

21

Article: Album Review

Stefano Battaglia Trio: In The Morning

Read "In The Morning" reviewed by Karl Ackermann

by Karl Ackermann

Over the past five years Stefano Battaglia could have easily taken bassist Salvatore Maiore and drummer Roberto Dani into the ubiquitous realm of classically trained piano trios, where improvisation, chamber and dark lyricism meet but rarely ignite. But along with his classical training and an established ear for free jazz, hard bop and mainstream, Battaglia has ...

25

Article: Album Review

Indigo Kid II: Fist Full Of Notes

Read "Fist Full Of Notes" reviewed by Karl Ackermann

by Karl Ackermann

At the risk of implying that the very selective UK-based Babel Label has gone “mainstream," they have--of late--issued a number of releases that certainly have a broader appeal. A homage to Bill Evans Postcard to Bill Evans (2015) and vocalist Emilia Mårtensson's fine Ana (2014), now share a catalog with cutting edge artists like pianist Alexander ...

12

Article: Album Review

Satoko Fujii Orchestra Berlin: Ichigo Ichie

Read "Ichigo Ichie" reviewed by Karl Ackermann

by Karl Ackermann

If there is any doubt that a Satoko Fujii orchestra is an ensemble of a different color, one simply needs to look at the bleeding-edge personnel that have played a part in her New York, Chicago and several Japan based versions. Now a Berlin variety of her troupe presents Ichigo Ichie, the pianist's first European player ...

22

Article: Album Review

Satoko Fujii Tobira: Yamiyo Ni Karasu

Read "Yamiyo Ni Karasu" reviewed by Karl Ackermann

by Karl Ackermann

If ever there were a restless musical spirit, it would be pianist, composer (and occasional accordionist) Satoko Fujii. The Japanese artist has issued more than sixty recordings in settings from solo to full orchestra and most everything in between. While she demonstrates virtuosic straight-ahead balladry on occasion, her preference has long leaned toward unorthodox improvisation. Fujii ...

32

Article: Album Review

Maria Schneider Orchestra: The Thompson Fields

Read "The Thompson Fields" reviewed by Karl Ackermann

by Karl Ackermann

At the time Maria Schneider released Evanescence (Enja, 1994), big band jazz--especially in the US--was overly predictable and indecisively hanging on like ballroom music in a ghost town. Schneider, while embracing the best practices of earlier legendary big band leaders and her mentors, Gil Evans and Bob Brookmeyer, had added unconventional elements to her own compositions. ...

21

Article: Album Review

A Bu Trio: 88 Tones of Black and White

Read "88 Tones of Black and White" reviewed by Karl Ackermann

by Karl Ackermann

China is rarely thought of as a geographic source of jazz from the perspective of westerners, partly due to a less than robust presence of the genre and partly because the country remains closed off in many respects. In the past ten years or so, only a handful of “jazz" recordings have come out of the ...

28

Article: Album Review

Amir ElSaffar: Crisis

Read "Crisis" reviewed by Karl Ackermann

by Karl Ackermann

Chicago area native, Amir ElSaffar has been working inside and outside the typical context of jazz since his Two Rivers Ensemble debut, Two Rivers (PI Recordings, 2007). The trumpeter and composer (and master santour player) has built a unique musical architecture based his study of the microtonal techniques of his ancestral Iraqi maqam. While ElSaffar was ...

22

Article: Album Review

John Yao: Flip-Flop

Read "Flip-Flop" reviewed by Karl Ackermann

by Karl Ackermann

On his 2012 debut, trombonist John Yao navigated multiple complex territories ranging from the experimental to traditional balladry. A regular presence on the New York scene, Yao has worked with the Vanguard Jazz Orchestra and Arturo O'Farrill's Afro-Latin Jazz Orchestra. Having absorbed those big band sensibilities, Yao graduates from his inaugural quintet to a seventeen-piece ensemble. ...


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