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Anthony Braxton: 3 Compositions (EEMHM) 2011
by Karl Ackermann
There is little in the extensive catalog of Anthony Braxton that falls into a customary compositional milieu. His more recently formed conceptual structure, Echo Echo Mirror House (circa 2011), succeeds Ghost Trance Music and Diamond Curtain Wall Music as a platform for his unique system of coded composing and improvising. On 3 Compositions (EEMHM) 2011, each ...
Raphael Malfliet: Noumenon
by Karl Ackermann
Belgian-born bassist Raphael Malfliet graduated from the Conservatory in Antwerp in 2014, moving to New York shortly afterward. Though the music on his debut trio album Noumenon is outside of well-defined genres, his influences of modern classical and improvisation are evident from the start. One is as likely to hear traces of Elliott Sharp as they ...
Dai Liang, aka A Bu: Beijing Prodigy
by Karl Ackermann
In 1950, in the wake of World War II and the early years of the Cold War, the Chinese Communist Party under Mao Zedong founded the Central Conservatory of Music as a consolidation of several musical institutions. Located in Beijing, the school resides on the former site of the seventeenth century residence of one Prince Yixuan. ...
Gerry Malkin Quintet at the BeanRunner Café
by Karl Ackermann
Gerry Malkin QuintetThe BeanRunner Café Peekskill, New York November 12, 2016 The Gerry Malkin Quintet is a quintessential, hard-working, New York area group that plays top-notch music, while going under-recognized in the competitive and crowded metropolitan marketplace. What is atypical of its session-savvy members are jazz pedigrees that run deep ...
Peter Evans Quintet: Genesis
by Karl Ackermann
The unbounded creative experimenter, Peter Evans, returns to his quintet formation for their third outing on Genesis. Pianist Carlos Homs, departed the group following their debut, Ghosts (2011), being replaced by Ron Stabinsky (Mostly Other People Do the Killing) on Destination: Void (2014), both on the More is More label. Evans was also a member of ...
Nils Petter Molvær: Buoyancy
by Karl Ackermann
More than thirty years ago, Norwegian trumpeter Nils Petter Molvær had left his mark as an exceptional improviser with his ECM Records debut on Masquarelo's Bande à Part (1985). Those beginnings--in the company of Nordic jazz legends--led Molvær to an ongoing process of nurturing his musical sensibilities across electronic grooves, club beats, jazz, and more genre-defying ...
Mark Dresser Seven: Sedimental You
by Karl Ackermann
In the early stages of his career, bassist/composer Mark Dresser was working with the likes of Anthony Braxton, Marilyn Crispell, and Gerry Hemingway. His long track record of working in composition and improvisation has made him one of the most respected artists in creative music. On Sedimental You, Dresser surrounds himself with a top tier ensemble ...
Marco Sanguinetti: Cómo Desaparecer Completamente
by Karl Ackermann
The first time that Brad Mehldau covered Radiohead's “Paranoid Android" on Largo (Warner Bros, 2002), the idea of jazz interpretations of alternative rock songs was a bit more of a novelty even if a concept that Mehldau had long embraced. That said, taking on a double-disc set dedicated to the output of one pop entity is ...
The Core Trio featuring Matthew Shipp: The Core Trio Live, featuring Matthew Shipp
by Karl Ackermann
What we have here is no-nonsense free improvisation where the track titles are chronologically functional but the music has a mind of its own. This is the Core Trio, who in direct opposition to that kind of pragmatic naming convention, have consistently performed and recorded as a small combo with an additional guest. Robert Boston, Steve ...
Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary
by Karl Ackermann
Canadian native, now a Brooklyn resident, Anna Webber, has a broad, international music education having studied at McGill University in Montreal, Manhattan School of Music and the Jazz Institute of Berlin. In the latter two cases she has received Master's degrees to accompany the substantial number of grants and awards that speak to her compositional ability. ...
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