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Verneri Pohjola: Pekka
by Karl Ackermann
Finnish multi-instrumentalist Pekka Pohjola was a classically trained pianist and violinist but known best as a bassist in his native country. The proponent of a unique fusion of jazz, progressive rock and classical music, his work had elements of Frank Zappa, King Crimson and Antonín Dvořák, sometimes all within a single composition. Pohjola died while only ...
The Great Harry Hillman: Tilt
by Karl Ackermann
The Great Harry Hillman formed a little more than one hundred years after its American namesake won three gold medals in the 1904 Summer Olympics. Despite the naming convention, the group is Lucerne-based and not yet well-known on this side of the Atlantic. The quartet is a collective effort in composition and performance, and that democratic ...
Hubert Dupont: Golan/Al Joulan Vol. 2
by Karl Ackermann
French bassist, composer and activist Hubert Dupont had been touring with a trio called Sabil, playing their initial concert at the Institute of the Arab World in 2013. It was there that he formulated the concept for his multi-cultural, genre-bending Golan/Al Joulan Vol. 1 (Ultrabolic, 2016). In biblical lore, Golan is described as “a city of ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Lisa Cay Miller: 682/681
by Karl Ackermann
Canadian pianist Lisa Cay Miller has been playing her instrument since the age of four, later taking up flute as well. Her divergent intermingling of improvisation, avant-garde and classical music has been on display in two previous projects with the improvising cellist Peggy Lee. On her unique 682/681, abstract improvisation rules across twenty-two vignettes. The title ...
Thollem | Mazurek: Blind Curves and Box Canyons
by Karl Ackermann
In a remote outpost of creativity, the little town of Marfa sits on less than two square miles, a one-hour drive from the Mexican border. With a population of about two-thousand, it may, nevertheless, be the Brooklyn of the West Texas desert plateau. From its beginnings as an artist colony (of sorts), Marfa has been developing ...
Jaimie Branch: Fly Or Die
by Karl Ackermann
Improvisational trumpeter and electronics artist Jaimie Branch, a Chicago native, began playing trumpet at the age of nine. Doing double-duty, she has also worked around her home town as a sound engineer for Tim Daisy and Ken Vandermark. A relative newcomer, Branch moved to New York to complete a Master's degree in in Jazz Performance and ...
Avishai Cohen - Trumpet: Cross My Palm With Silver
by Karl Ackermann
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. ...
Chris Potter: The Dreamer Is the Dream
by Karl Ackermann
Multi-reedist and composer Chris Potter has been an in-demand artist since his late teen years when he began playing the New York clubs. With a diverse catalog that runs from Steely Dan to regular collaborations with Dave Holland, Potter has picked up a number of Grammy nominations and wins. His versatile abilities have made him equally ...
Duo Baars Henneman & Dave Burrell: Trandans
by Karl Ackermann
Dutch multi-reedist Ab Baars has been active, mostly in Europe, since the 1970s, recording for several labels on the continent and touring in both rock and jazz capacities. His unique style had been dubbed “Ab Music" by the late Misha Mengelberg with whom he had recorded Circus (Instant Composers Pool, 2006) along with Han Bennick. More ...
