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Aruán Ortiz: Cub(an)ism
by Karl Ackermann
Hidden Voices (Intakt Records, 2016) brought Cuban born pianist and composer Aruán Ortiz some long-overdue recognition in the U.S. Cub(an)ism, Ortiz' tenth release, is a solo piano outing and his first such recording in the stand-alone format. Recorded in 2016 in Zürich, Switzerland, the album continues Ortiz' exploration of Cuban Cubism, his method of incorporating cubist ...
Gato Libre: Neko
by Karl Ackermann
Any new release from Gato Libre is a welcome event and sure to be a transcendent musical journey of simple sophistication in an unconventional structure. Neko is all those things but with the added, palpable emotion driven by a sense of loss that the group has endured yet again. Trumpeter Natsuki Tamura and life partner, pianist, ...
Aaron Parks/Ben Street/Billy Hart: Find the Way
by Karl Ackermann
Find the Way is pianist Aaron Parks' eighth release as a leader and second on the ECM label. The prolific artist has appeared as a sideman on thirty-eight albums dating back to 2003, working frequently with Terence Blanchard, recording with Joshua Redman and Kurt Rosenwinkel and many other top names in jazz. At the age of ...
Verneri Pohjola: Pekka
by Karl Ackermann
Finnish multi-instrumentalist Pekka Pohjola was a classically trained pianist and violinist but known best as a bassist in his native country. The proponent of a unique fusion of jazz, progressive rock and classical music, his work had elements of Frank Zappa, King Crimson and Antonín Dvořák, sometimes all within a single composition. Pohjola died while only ...
The Great Harry Hillman: Tilt
by Karl Ackermann
The Great Harry Hillman formed a little more than one hundred years after its American namesake won three gold medals in the 1904 Summer Olympics. Despite the naming convention, the group is Lucerne-based and not yet well-known on this side of the Atlantic. The quartet is a collective effort in composition and performance, and that democratic ...
Hubert Dupont: Golan/Al Joulan Vol. 2
by Karl Ackermann
French bassist, composer and activist Hubert Dupont had been touring with a trio called Sabil, playing their initial concert at the Institute of the Arab World in 2013. It was there that he formulated the concept for his multi-cultural, genre-bending Golan/Al Joulan Vol. 1 (Ultrabolic, 2016). In biblical lore, Golan is described as “a city of ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Lisa Cay Miller: 682/681
by Karl Ackermann
Canadian pianist Lisa Cay Miller has been playing her instrument since the age of four, later taking up flute as well. Her divergent intermingling of improvisation, avant-garde and classical music has been on display in two previous projects with the improvising cellist Peggy Lee. On her unique 682/681, abstract improvisation rules across twenty-two vignettes. The title ...
Thollem | Mazurek: Blind Curves and Box Canyons
by Karl Ackermann
In a remote outpost of creativity, the little town of Marfa sits on less than two square miles, a one-hour drive from the Mexican border. With a population of about two-thousand, it may, nevertheless, be the Brooklyn of the West Texas desert plateau. From its beginnings as an artist colony (of sorts), Marfa has been developing ...
Jaimie Branch: Fly Or Die
by Karl Ackermann
Improvisational trumpeter and electronics artist Jaimie Branch, a Chicago native, began playing trumpet at the age of nine. Doing double-duty, she has also worked around her home town as a sound engineer for Tim Daisy and Ken Vandermark. A relative newcomer, Branch moved to New York to complete a Master's degree in in Jazz Performance and ...
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