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Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich
by Karl Ackermann
Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...
Tyler Wilcox: Works for Two Chapels
by Karl Ackermann
Brooklyn-based composer and multi-instrumentalist Tyler Wilcox authored the two extended pieces on Works for Two Chapels, playing only on the second. The Baltimore native works in a minimalistic style and has an affinity for performing in houses of worship, where the natural acoustics become a partner in his largely improvised compositions. On this recording, Wilcox utilizes ...
Amir ElSaffar/Rivers of Sound: Not Two
by Karl Ackermann
Much has been written about Amir ElSaffar's Iraqi-American background and the influence that birthright has had on his music. The demographics, however, do little to prepare the ear for the exotic and completely distinctive sound that he creates. ElSaffar's Western and Middle Eastern amalgam of disciplines had best manifested itself in his sextet, the Two Rivers ...
Satoko Fujii Orchestra Berlin: Ninety-Nine Years
by Karl Ackermann
Three months and three releases into the Satoko Fujii's sixtieth birthday project, the eclectic composer keeps the mix from her musical arsenal, a varied and intriguing monthly adventure. Ninety-Nine Years follows her 2018 Libra releases Solo and Kaze's Atody Man and here Fujii calls out her larger company of Orchestra Berlin. Of her five distinct orchestras, ...
Arild Andersen/Paolo Vinaccia/Tommy Smith: In-House Science
by Karl Ackermann
Arild Andersen's superb trio with tenor saxophonist Tommy Smith and drummer Paolo Vinaccia had previously released two ECM albums, Live at Belleville (2008), and Mira (2014). Smith and Andersen joined the saxophonist's frequent collaborators, the Scottish National Jazz Orchestra for Celebration (2015) which included “Independency, Pt. 4" from Belleville. In-House Science is the second live album ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
All About Jazz Launches Weekly Jazz Trivia Poll on Twitter - #JazzPoll #JazzTrivia
Senior Contributor Karl Ackermann and your friends at All About Jazz have launched a weekly jazz trivia poll on its Twitter page: https://twitter.com/AllAboutJazz Join the fun, cast your vote, and look for the previous week's correct answer when we launch the new poll every Monday. Search on hashtag: #JazzPoll or #JazzTrivia Have a jazz trivia question ...
Leap of Faith Orchestra: SuperClusters
by Karl Ackermann
On two occasions each year, composer and multi-instrumentalist PEK (David M. Peck), gathers together his Evil Clown collective for live recordings. Culled from Leap of Faith, String Theory, Mekaniks, Metal Chaos Ensemble and their respective off-shoots of each, the players form his massive, eighteen-member Leap of Faith Orchestra. For the SuperClusters session, the group assembled at ...
Joachim Kuhn: Love & Peace
by Karl Ackermann
The German ACT label achieved global recognition when they issued the Esbjorn Svensson Trio album Viaticum (2005) and they warrant broader discovery by U.S. jazz fans. Though their country's best known label casts a global shadow over its competition, the ACT catalog has included Richie Beirach, Lars Danielsson, Vijay Iyer, Manu Katche, Rudresh Mahanthappa, Bugge Wesseltoft, ...
Mathias Eick: Ravensburg
by Karl Ackermann
On his previous ECM release, Midwest (2015), trumpeter and composer, Mathias Eick plotted the course of his Norwegian ancestors to the heartland of America. Drawn from his own travels as well, Eick applies personal experiences and family lore once again on Ravensburg, named for the German town of his grandmother. Here the journey is closer to ...
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