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Satoko Fujii Orchestra Berlin: Ninety-Nine Years
by Karl Ackermann
Three months and three releases into the Satoko Fujii's sixtieth birthday project, the eclectic composer keeps the mix from her musical arsenal, a varied and intriguing monthly adventure. Ninety-Nine Years follows her 2018 Libra releases Solo and Kaze's Atody Man and here Fujii calls out her larger company of Orchestra Berlin. Of her five distinct orchestras, ...
Arild Andersen/Paolo Vinaccia/Tommy Smith: In-House Science
by Karl Ackermann
Arild Andersen's superb trio with tenor saxophonist Tommy Smith and drummer Paolo Vinaccia had previously released two ECM albums, Live at Belleville (2008), and Mira (2014). Smith and Andersen joined the saxophonist's frequent collaborators, the Scottish National Jazz Orchestra for Celebration (2015) which included “Independency, Pt. 4" from Belleville. In-House Science is the second live album ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
All About Jazz Launches Weekly Jazz Trivia Poll on Twitter - #JazzPoll #JazzTrivia
Senior Contributor Karl Ackermann and your friends at All About Jazz have launched a weekly jazz trivia poll on its Twitter page: https://twitter.com/AllAboutJazz Join the fun, cast your vote, and look for the previous week's correct answer when we launch the new poll every Monday. Search on hashtag: #JazzPoll or #JazzTrivia Have a jazz trivia question ...
Leap of Faith Orchestra: SuperClusters
by Karl Ackermann
On two occasions each year, composer and multi-instrumentalist PEK (David M. Peck), gathers together his Evil Clown collective for live recordings. Culled from Leap of Faith, String Theory, Mekaniks, Metal Chaos Ensemble and their respective off-shoots of each, the players form his massive, eighteen-member Leap of Faith Orchestra. For the SuperClusters session, the group assembled at ...
Joachim Kuhn: Love & Peace
by Karl Ackermann
The German ACT label achieved global recognition when they issued the Esbjorn Svensson Trio album Viaticum (2005) and they warrant broader discovery by U.S. jazz fans. Though their country's best known label casts a global shadow over its competition, the ACT catalog has included Richie Beirach, Lars Danielsson, Vijay Iyer, Manu Katche, Rudresh Mahanthappa, Bugge Wesseltoft, ...
Mathias Eick: Ravensburg
by Karl Ackermann
On his previous ECM release, Midwest (2015), trumpeter and composer, Mathias Eick plotted the course of his Norwegian ancestors to the heartland of America. Drawn from his own travels as well, Eick applies personal experiences and family lore once again on Ravensburg, named for the German town of his grandmother. Here the journey is closer to ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: After The Fall
by Karl Ackermann
In the year between ECM releases Tokyo '96 (1997) and Whisper Not (1999), Keith Jarrett's iconic Standards Trio returned to live performances following a two-year break. Jarrett's bout with Chronic Fatigue Syndrome left him physically and emotionally drained, but with the condition in check, his expressive passion and physical enthusiasm return in full force with After ...
Kaze: Atody Man
by Karl Ackermann
Atody Man is the fifth album from the quartet Kaze. Beginning with Rafale (Circum-Libra, 2011), the group--initiated by French drummer Peter Orins--has been one of many showcases for the eclectic music of pianist Satoko Fujii and her husband, trumpeter Natsuki Tamura. The unusual formation includes a second trumpeter, Christian Pruvost, also from France. Atody Man also ...
Susana Santos Silva: All the Rivers – Live at Panteão Nacional
by Karl Ackermann
The young Portuguese trumpeter Susana Santos Silva has been steadily rising in the ranks of cutting-edge improvisers and composers. Santos has extensive conservatory training from her native country, as well as in Germany and Holland. She is at home in the colloquial language of traditional jazz and the avant-garde, but her strength is in a sound ...
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