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Sun Ra: God Is More Than Love Can Ever Be
by Karl Ackermann
Herman Poole Blount, contrary to some urban myths, didn't claim to be born on the planet Saturn but had purportedly been transported there--and back--in his teens. A life shrouded in mystery, it isn't entirely clear when Blount became Sun Ra but it's estimated to be in the early 1940s when he was active on the Chicago ...
Assif Tsahar / William Parker / Hamid Drake: In Between the Tumbling a Stillness
by Karl Ackermann
Israeli saxophonist/clarinetist Assif Tsahar has deep roots in the free-jazz genre, having played with Cecil Taylor, Butch Morris, Peter Kowald, Fred Anderson, Ken Vandermark, Herb Robertson, Cooper-Moore, and many others. Among his other associations are two albums with bassist William Parker, Sunrise in the Tone World (AUM Fidelity, 1995) and Mass for the Healing of the ...
Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2
by Karl Ackermann
Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio ...
Larry Grenadier: The Gleaners
by Karl Ackermann
Bassist Larry Grenadier has a most impressive resume: multiple recordings with Herbie Mann, Paul Motian, Charles Lloyd, trumpeter/brother Phil Grenadier, vocalist/wife Rebecca Martin, Chris Potter, Joshua Redman, Jamie Saft, and many others. His brand has long been enhanced by his stellar work with Pat Metheny and a twenty-plus-year association with Brad Mehldau. It's not surprising that ...
Eli Wallace: Barriers
by Karl Ackermann
Eli Wallace is best known as the keyboard half of the piano/drum improvising duo Dialectical Imagination with Rob Pumpelly. Listeners familiar with Wallace's work in that setting and with the trio Cataclysmic Commentary, with tenor saxophonist Ben Cohen and Dave Miller on drums, know that Wallace is not averse to swimming against the current. The California ...
Joachim Kuhn: Melodic Ornette Coleman: Piano Works XIII
by Karl Ackermann
Reportedly, Ornette Coleman did not have a great affinity for pianists, but it was the instrument--rather than the musicians--that put Coleman off. As an innovator in free jazz, Coleman found the chordal instrument too intrusive and preferred a more sympathetic bass/soloist interaction. Coleman did record with pianists Geri Allen and Paul Bley, but he established a ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
Wadada Leo Smith: Rosa Parks: Pure Love
by Karl Ackermann
Like several exceptional modern era composers from Ornette Coleman to John Zorn to Tyshawn Sorey, the “jazz" appellation has only anecdotal application to the latter-day calling of Wadada Leo Smith as a composer. On his previous Cuneiform releases Ten Freedom Summers (2012) and America's National Parks (2016), Smith worked with an ear toward confronting injustice and ...
Matthew Shipp Trio: Signature
by Karl Ackermann
In the period of 2017-2018, the leading avant-garde and free jazz pianist Matthew Shipp performed and recorded in a variety of small group settings. Often, he was paired with reed players such as Allen Lowe, Mat Walerian, Daniel Carter, Roscoe Mitchell and on an astounding dozen albums with Ivo Perelman. But it is in solo piano ...
Dr. Mark Lomax, II: 400: An Afrikan Epic
by Karl Ackermann
The origins of the continent's name are not clear, but in the language of most of its inhabitants, the spelling is Afrika. The colonizers from Portugal, Britain and France adulterated the spelling for uniformity to their own phonics beginning in the fifteenth century, as they launched the cultural marginalizing of tens of millions. Dr. Mark Lomax ...
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