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Dayna Stephens, Monty Alexander, Tom Collier & Daniel Bennett
by Joe Dimino
From a brilliant New York City talent, we begin the 850th Episode of Neon Jazz with multi-instrumentalist Daniel Bennett and a get a cut off his 2024 album Mr. Bennet's Mind. From there, we move on to a collection of great new songs from Monty Alexander, KJ Denhert, Tom Collier & Hendrik Meurkens. In between, we ...
Pat Metheny at the Kaufmann Concert Hall
by Chris DeRosa
Pat Metheny Kaufmann Concert Hall (The 92nd Street Y) Pat Metheny's “Dream Box Tour" New York, NYApril 7, 2024 Hello, my name is Chris DeRosa and this is what I heard... Pat Metheny has been at the forefront of jazz guitar for more than 40 years. His career ...
Melissa Aldana, Spike Wilner & Miles Davis
by Joe Dimino
We begin the 849th episode of Neon Jazz with Miles Davis to commemorate the book 3 Shades of Blue by James Kaplan. The book examines the phenomena of the iconic Kind of Blue album. From there, we hear Bill Evans and Jim Hall with music from Undercurrent (1962). We get a good dose of new tunes ...
Curtis Taylor, Logan Richardson, Steve Cardenas & Brian Scarborough
by Joe Dimino
From the chops of Kansas City trombonist Brian Scarborough, we open the 847th Episode of Neon Jazz with a tune full of KC in Central Standard Time. We onto Logan Richardson, who also has KC roots, with music from his 2024 release, Secret Garden. We also feature a host of new tunes from the likes of ...
Abdullah Ibrahim, Julie Kelly, John Coltrane & Sean Mason
by Joe Dimino
We kick off a new 846th Episode of Neon Jazz out of Kansas City with rising keyboard talent Sean Mason and music from his 2024 release The Southern Suite. From there, we hear from an indelible influence on Sean in Ray Charles. We also hear a dandy of tunes from the Cherry Poppin' Daddies, John Korbel, ...
Cecil McBee, James Zollar & Eddie Henderson
by Joe Dimino
We start the 845th Episode of Neon Jazz with master musician, doctor and figure skater Eddie Henderson with music from his 2023 release Witness to History. Eddie is featured on this episode to celebrate the PBS documentary Uncommon Genius. From there, we hear music from his teacher Louis Armstrong then motor our way into another quality ...
JMood Records Releases 'Love Is Passing Thru' by Roberto Magris
JMood Records is pleased to announce the CD release of Love Is Passing Thru by Roberto Magris. “Love Is Passing Thru” is a project recorded by Roberto’s Italian quartet after a concert tour in the Far-East almost 20 years ago. “This music is still so fresh with outstanding musicianship and musical ideas recorded at the Grammy-award ...
Wendell Harrison, Rudy Royston, Grant Green & Vin Venezia
by Joe Dimino
From guitarist Vin Venezia, we begin the 844th Episode of Neon Jazz with music from his 2024 album The Venetian. We then get into his primary influence with Wes Montgomery. From there, we explore an impressive array of new jazz from the likes of Molly Miller, Cliff Beach and Lori Bell. We also hear new music ...
Results for pages tagged "Kansas City"...
Roberto Magris
Born:
Born in Trieste, in Italy, in 1959, after a career of forty-five years with concerts all over the world, he is a renowned and appreciated musician on the international jazz scene today. He has 42 recordings to his credit, including 3 CDs for the Soulnote/Black Saint label and 26 CDs in the USA for the Kansas City's JMood label, together with musicians such as Art Davis (bassist for John Coltrane), Albert Tootie Heath, Ira Sullivan, Idris Muhammad, Herb Geller, Brian Lynch (2 Grammy Award Winner), Mark Colby, Tony Lakatos, Eric Jacobson, Sam Reed, Paul Carr, Jim Mair, Eric Hochberg, Hermon Mehari, Logan Richardson, Kendall Moore, Brandon Lee, Alfredo Chacon, Rodolfo Zuniga and others. In the USA, he has mostly frequented the jazz scenes of Kansas City, of which he is also an honorary citizen, Los Angeles, Miami and Chicago, and has directed numerous groups and played as a bandleader in famous jazz venues such as The Jazz Bakery in Los Angeles, Catalina Jazz Club in Hollywood, The Blue Room in Kansas City, WDNA Jazz Gallery in Miami, The Jazz Showcase in Chicago, The Jazz Estate in Milwaukee, The Caspe Terrace in Des Moines, The Love Jazz Club in Omaha, The Schwartz’s Jazz Point in Cincinnati. His CDs Live in Miami, Shuffling Ivories, Match Point and Duo & Trio, were voted by several American critics among the Best Jazz Albums of 2018, 2020, 2021, 2022, and his CD Suite! passed the first round of selection for the Jazz Grammy Award nomination in 2019. In Europe, he has directed the Europlane Orchestra (a central-European jazz venture sponsored by INCE-Central European Initiative), his Italian quartet, the Gruppo Jazz Marca, the Alfabeats Nu Jazz band and, in the period 2016-2020, he was active with the MUH Trio (Magris-Uhlir-Helesic Trio), with a hundred concerts and 2 CDs recorded in Prague, where the trio had its base. In 2024 he re-started after two decades his Roberto Magris Europlane group with some of the best musicians from Central Europe and recorded live the Cd Freedom is peace. In the same year he also recorded the Cd Lovely day(s), the first solo piano album in his career, the Cd Let’s change! in Chicago, and started a new collaboration with Croatian saxophonist Denis Razz, recording the album In Action. In 2025 Magris has released his first solo piano album Lovely Day(s). Numerous interviews and reviews of his CDs were published by the major jazz magazines and websites, including Down Beat, JazzTimes, Cadence, Jazziz, All About Jazz, New York City Jazz Record, Jazzwax, Riffides, Chicago Jazz Magazine, Jazz Inside, Jazzhot , Jazz Journal International, Jazzwise, Citizen Jazz, Jazzpodium, Concerto, Union Disk Japan and many others. A profile of Magris is also included in the book The Jazz Stories Project, published in the USA by Cadence Media LLC in 2018.
Fletcher Henderson, Count Basie, Charlie Parker & Ella Fitzgerald
by Joe Dimino
We dedicate the entirety of the 843rd Episode of Neon Jazz to the history and culturally vital institution, Harlem's Apollo Theater. After finding an illustrated book on the history of this landmark institution in the history of African American culture, it was essential to cover the jazz side of things from the book's perspective. We begin ...
