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23

Article: Album Review

Logan Richardson: AfroFuturism

Read "AfroFuturism" reviewed by Chris May


In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift. ...

561

Article: Take Five With...

Take Five with Matthew Alec

Read "Take Five with Matthew Alec" reviewed by AAJ Staff


Meet Matthew Alec: Saxophonist, Executive Producer at Cleveland Time Records and bandleader for the jazz fusion group Matthew Alec and The Soul Electric. Nominated as 'Cleveland's Best Horn Player' by Cleveland Scene Magazine, Matthew earned his Bachelor's Degree in Music from Kent State University in 2007. While at KSU, he studied both 20th century classical music ...

48

Article: Building a Jazz Library

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May


Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...

Album

Emergency Exit

Label: Wide Hide Records
Released: 2020
Track listing: Sublime in the Base; Third Reflection; Jagged Reform; Another Moth Drawn to City Light; Second Breather; Innerspatial Search; Rattle Thicket; Art of the Warrior; Surrender at Station Three; Marching Instructions.

Album

It Is What It Is

Label: Brainfeeder
Released: 2020
Track listing: Lost In Space / Great Scott / 22-26; Interstellar Love; I Love Louis Cole; Black Qualls; Miguel’s Happy Dance; How Sway; Funny Thing; Overseas; Dragonball Durag; How I Feel; King Of The Hill; Unrequited Love; Fair Chance; Existential Dread; It Is What It Is.

38

Article: Year in Review

Chris May’s Best Releases Of 2020

Read "Chris May’s Best Releases Of 2020" reviewed by Chris May


Not the best year for live gigs in London, but Dele Sosimi's Afrobeat Orchestra just made it under the wire, lighting up the Jazz Cafe in late January. Rather like Art Blakey's Jazz Messengers, Sosimi's band has form as an incubator of young talent. A recent star in the making was trumpeter Ife Ogunjobi, who has ...

2

Article: Radio & Podcasts

West Coast Get Down: Kamasi Washington, Cameron Graves, Throttle Elevator Music

Read "West Coast Get Down: Kamasi Washington, Cameron Graves, Throttle Elevator Music" reviewed by Russell Perry


In the past several years, a suite of players have emerged from Los Angeles, many of whom grew up together, loosely connected by the name West Coast Get Down. The most visible player in this scene is Kamasi Washington from a jazz perspective, but Stephen “Thundercat" Bruner and Miles Mosley have made significant records in a ...

28

Article: Interview

Makaya McCraven: Cross Border Traffic

Read "Makaya McCraven: Cross Border Traffic" reviewed by Chris May


Like his near contemporaries Shabaka Hutchings, Kamasi Washington, Nubya Garcia and Robert Glasper, the Chicago-based drummer, bandleader, producer and self-declared beat scientist Makaya McCraven is routinely described by the more breathless commentators writing about modern music as a “saviour" of jazz. Certainly, McCraven and his peers are enriching jazz by their embrace of other ...

45

Article: Building a Jazz Library

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

Read "Blue Note Records: Lost In Space: 20 Overlooked Classic Albums" reviewed by Chris May


For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

2

Article: Radio & Podcasts

Highlights of the Final Decade of the First 100 Years of Recorded Jazz (2011 - 2018)

Read "Highlights of the Final Decade of the First 100 Years of Recorded Jazz (2011 - 2018)" reviewed by Russell Perry


This is the last of a series of five programs featuring jazz since 1990, presented as a single selection for each year to reflect trends, career highlights and new artists, at least as the narrative appears from the temporally-challenged context of the last 25 years. The idea to attempt such an abbreviated one-track--per-year survey comes from ...


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