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Album

Requiem For Julius

Label: Justin Time Records
Released: 2000
Track listing:

1) Ebony (Jack DeJohnette) 2) Free and Independent Thought (Hamiet Bluiett) 3) All Praise (John Purcell) 4) Requiem For Julius (David Murray) 5) Le Sport Suite (Oliver Lake) 6) Hurricane Floyd (David Murray) 7) Potato Vamp (Oliver Lake) 8) Tone Poem (Oliver Lake) 9) Blues (Bluiett - Murray - Lake - Purcell)

Visit the "Justin Time Records" website at: www.justin-time.com

Album

An Afternoon in Harlem

Label: Justin Time Records
Released: 2000
Track listing: An Afternoon in Harlem, Not a Moment Too Soon, Braxton's Dues, The Moors of Spain, Wisdom and Overstanding, The Light at the End of the Underground Railroad, When Sun Ra Gets Blue.

Album

Peace-Song

Label: Justin Time Records
Released: 2000
Track listing: Waltz for a New Life, Breakout, Peace-Song, For Monk-Sake, Wisps of Thought, Tunnel Vision, Seasons, Canon, Funerale (for Chris).

168

Article: Album Review

John Stetch: Heavens of a Hundred Days

Read "Heavens of a Hundred Days" reviewed by AAJ Staff


If New York pianist John Stetch has his way about it, we'll never find ourselves in a McWorld. Stetch approaches each tune on Heavens of a Hundred Days from a slightly different angle, yielding a record that is anything but uniform or prepackaged. The tunes on Heavens include solo, duo, trio, and quartet arrangements of Stetch's ...

151

Article: Album Review

Bluiett: With Eyes Wide Open

Read "With Eyes Wide Open" reviewed by AAJ Staff


A veteran of over three decades of jazz history, Bluiett has long been jazz's leading proponent of the baritone saxophone. His well-documented experience in the World Saxophone Quartet, as well as the baritone quartet Baritone Saxophone Nation, long ago established him as a superlative composer, arranger, and improviser. Two recent trio records with BJT (Bluiett/Jackson/Thiam) presented ...

140

Article: Album Review

Bluiett: With Eyes Wide Open

Read "With Eyes Wide Open" reviewed by Jim Santella


The baritone saxophone has sure made a significant impact on jazz through the years. The instrument’s voice resonates on such an open wavelength that we consider it friendly in any situation. And Hamiet Bluiett has experience with just about every jazz situation imaginable. From college to the Navy and beyond, Bluiett has encountered swing, bebop, free ...

198

Article: Album Review

Hugh Ragin: An Afternoon in Harlem

Read "An Afternoon in Harlem" reviewed by AAJ Staff


Trumpeter Hugh Ragin made this recording in late '98 in a (mostly) quartet format featuring pianist Craig Taborn, bassist Jaribu Shahid, and drummer Bruce Cox. The tunes, all Ragin originals, range from the sauntering bluesy strut of the title track to fast bebop to free jazz, concluding with a Sun Ra-inspired avant garde accompaniment to poetry ...

209

Article: Album Review

David Murray Octet: Octet Plays Trane

Read "Octet Plays Trane" reviewed by AAJ Staff


Saxophonist David Murray's latest record, Octet Plays Trane, returns to the heart of the African-American jazz canon with joy and sophistication. Unlike many works with this large an ensemble, Octet Plays Trane steers clear of the rigidity of arranged large-group playing as well as the potential chaos coming from mass improvisation. Murray's orchestration of “Giant Steps," ...

161

Article: Album Review

World Saxophone Quartet: Requiem For Julius

Read "Requiem For Julius" reviewed by AAJ Staff


Requiem for Julius dedicates itself to the memory of founding WSQ member Julius Hemphill (here again replaced by John Purcell). The quartet stands alone--without its recent companion, African drums--and invokes its remarkable ability to trade off between tight arrangements and free improvisation. In fact, it's often hard to tell where the arrangements leave off and the ...

154

Article: Album Review

D.D. Jackson: Rhythm-Dance

Read "Rhythm-Dance" reviewed by AAJ Staff


Rhythm-Dance, a trio recording from early '96, continues with many of the same themes found on 1995's Peace-Song. Again, the compositions are all by Jackson. In the absence of David Murray's titanic tenor sax, Jackson explores the greater freedom a straight trio allows. His melodies overflow with gospelly/bluesy embellishments, and his solos break free from rhythmic ...


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