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Seattle Jazz Fellowship: A New Beginning For Live Resident Jazz
by Paul Rauch
The local jazz scene in Seattle has been vibrant and at times prolific over the last one hundred years. The city hosted the only fully integrated jazz club scene in the 1920's and '30s, inspiring Black musicians from the south to escape Jim Crow, and find a place to not only engage in the bustling club ...
There Are Thorns
Album: Players
By Eugenie Jones
Label: Open Mic Records
Released: 2022
Duration: 5:31
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
These Are My Roots: Clifford Jordan Plays Leadbelly
Label: Pure Pleasure
Released: 2021
Track listing: Side One: Dick’s Holler; Silver City Bound; Take This Hammer; Black Betty; The Highest Mountain. Side Two: Goodnight Irene; De Gray Goose; Black Girl; Jolly O The Ransom; Yellow Girl.
Jay Clayton, Jerry Granelli: Alone Together
by Angelo Leonardi
L'età avanzata non aveva spento in Jay Clayton e Jerry Granelli (purtroppo deceduto di recente) la voglia di riprendere la lunga collaborazione in performance liberamente improvvisate. Il sodalizio tra la cantante e il batterista risale alla fine degli anni settanta, quando Collin Walcott suggerì a Granelli d'invitare la Clayton al workshop musicale che tenevano al Naropa ...
Dave Holland: More Than Just Notes
by Ian Patterson
The creative juices, if not the hunger, desert many artists as they advance in years. Repetition and mediocrity--a blunting of the sword-- can creep in, while past glories are often left to provide the kindling for flames that never quite catch. Such charges could never be levelled at English bassist Dave Holland, who turns seventy-five in ...
Tuesday Night Jams at the Owl: A 25 Year Legacy in Seattle
by Paul Rauch
Traditionally, the jam session in jazz has provided an outlet for artistic growth and musical connections, for younger musicians to play with more established artists. The oral tradition that has allowed the music to evolve and grow generationally lives at the community jam session. It is a fertile meeting place and proving ground for both established ...
Clifford Jordan: These Are My Roots: Clifford Jordan Plays Leadbelly
by Chris May
These Are My Roots: Clifford Jordan Plays Leadbelly is an oft overlooked item in the canon of tenor saxophonist Clifford Jordan, whose chef d'oeuvre was undoubtedly Glass Bead Games (Strata-East, 1974), one of the most exalted jazz albums of its era. But These Are My Roots, which was originally released on Atlantic in 1965 and has ...
20 Seattle Jazz Musicians You Should Know: Rick Mandyck
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 1930's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
20 Seattle Jazz Musicians You Should Know: Thomas Marriott
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 1930's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
