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Johnny Mandel
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The eventful career of Johnny Mandel is grounded by a thorough background in music that has resulted in his being acclaimed in the pantheon of American composers, arrangers, record producers and songwriters. His is a career that has had both duration and substance and continues to flourish. He was born in New York City. At the age of 12, he was playing the trumpet and beginning to write big band arrangements. After graduating from New York Military Academy, where he had received a band scholarship, he immediately went on the road working in the Catskill Mountains at various resort hotels. He then joined the orchestra of the legendary violinist Joe Venuti
Centennial Shoutouts For June Christy and Johnny Mandel Plus New Releases James Suggs, Kurt Elling, Charlie Hunter, Vancouver Jazz Orchestra, Cecile McLorin Salvant,
by Mary Foster Conklin
This broadcast includes new releases from James Suggs, Kurt Elling, Charlie Hunter & Superblue, Vancouver Jazz Orchestra, Cecile McLorin Salvant, with birthday shoutouts to June Christy (100!), Johnny Mandel (100!), Etta Jones, Billy Strayhorn, Ethel Ennis, Rebecca Coupe Franks, Aline Homzy, among others with just a hint of holiday fare (more to come in December). Happy ...
Chad LB: The Shadow Of Your Smile
by Jack Bowers
Chad LB (for Lefkowitz-Brown), a shining star and technical wizard on the saxophone who has already recorded a full album with strings, uses them on only one number (the hymn “Ave Maria") on The Shadow of Your Smile, leading an able quartet the rest of the way on this generally pleasing studio date. While ...
The Scott Silbert Quartet: Dream Dancing
by Jack Bowers
The year 2025 marks the centenary of the birth of John Haley Sims, known around the world by his singular nickname, Zoot, a colossus of the saxophone who left this world far too soon in March 1985. Yet even though Zoot's physical presence is absent, his insuperable spirit lives on via Dream Dancing, a marvelous tribute ...
George Coleman: With Strings
by Jack Bowers
Sooner or later (usually later), a jazz saxophonist (or other instrumentalist) will entertain a desire to leave his or her normal comfort zone and record an album with “class." In other words, cue the string section and get ready to score some ballads. Tenor virtuoso George Coleman, who likely needs no introduction to even the more ...
George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Pete McGuinness: Mixed Bag
by Pierre Giroux
With Mixed Bag, Pete McGuinness once again affirms his place among the elite of modern big band composers and arrangers, presenting a luminous tapestry of jazz idioms that ranges from the exuberantly traditional to the adventurously modern. As the title suggests, the album is a delightful potpourri. However, rather than feeling scattered or unfocused, McGuinness weaves ...
NYO Jazz: Live in Johannesburg
by Jack Bowers
In the summer of 2024, trumpeter/music director Sean Jones and Carnegie Hall's prodigious NYO (National Youth Orchestra) packed their bags and headed overseas for a tour of South Africa, pausing at one of that country's historic landmarks, the Market Theatre, on July 26-28 to present three days of impressive concert performances that thankfully were taped and ...
University of Nevada-Las Vegas: Let The Good Times Roll
by Jack Bowers
If energy and enthusiasm were enough to earn a prize, the University of Nevada Las Vegas Jazz Ensemble 1 would surely have one in hand to salute its newest album, Let the Good Times Roll, a textbook lesson in buoyant and heavy-duty big-band jazz. While co-directors Dave Loeb and Nathan Tanouye enlist no fewer than seven ...
The Cinderella So Few Got to Hear: Late Artie Shaw is the Best Artie Shaw
by Richard J Salvucci
Artie Shaw will always be a bit of a puzzle to his fans--"morons, “ as he once characterized some of us. The best band he ever fronted, and said so more than once, was his 1949-50 “bop" band. Benny Goodman had a similar outfit around the same time, which, like Shaw's, featured excellent young musicians who ...
