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Video

Don't Get Around Much Anymore

Featuring the music of Johnny Hodges
Duration: 2:49

The Duke Ellington hit Don't Get Around Much Anymore with the great Johnny Hodges on alto sax, Berlin, 8th, November, 1969.
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Article: Old, New, Borrowed and Blue

Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)

Read "Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)" reviewed by Dan Bilawsky


I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...

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Article: Big Band Report

Albuquerque Jazz Orchestra Rekindles Cuban Fire Suite

Read "Albuquerque Jazz Orchestra Rekindles Cuban Fire Suite" reviewed by Jack Bowers


On June 5, 2010, with the temperature in Albuquerque hovering around 100 degrees, the Albuquerque Jazz Orchestra couldn't have wished for a better time to perform Johnny Richards' incendiary Cuban Fire suite, first recorded in 1956 by the Stan Kenton Orchestra. The sold-out concert was the opening event in the city's annual Jazz and Blues Under ...

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Article: Big Band Caravan

Fred Hess Big Band / Timucua Jazz Orchestra / Michael Treni

Read "Fred Hess Big Band / Timucua Jazz Orchestra / Michael Treni" reviewed by Jack Bowers


Fred Hess Big Band Hold On Dazzle Records 2010 When listening to Hold On, composer / arranger / saxophonist Fred Hess' fourteenth album as leader but first in front of a big band, one question immediately arises: What took him so long? As it turns out, recording his ...

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Article: Take Five With...

Take Five With Ava Lemert

Read "Take Five With Ava Lemert" reviewed by AAJ Staff


Meet Ava Lemert: Ava Lemert is a Sacramento siren of soul. She is a passionate singer, songwriter, as well as an impressive saxophonist. Her original songs range from the richly arranged '70s soul-tinged “You Know You Got It," which feature her singing lead, harmonies, and layers of her alto and tenor saxophones, to her ...

179

Article: Album Review

Sarah Manning: Dandelion Clock

Read "Dandelion Clock" reviewed by Raul d'Gama Rose


It takes a long time for the delightful shock of first hearing Sarah Manning's emphatic, almost blasé, voice--rich, tunefully accented and almost bronzed, as full as a sudden blast of sunshine. The first sounds of her alto saxophone are so indelibly burned in the memory that virtually everything else becomes a blur except undulating glissandos of ...

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Article: Album Review

Sarah Manning: Dandelion Clock

Read "Dandelion Clock" reviewed by John Barron


In the midst of the college-bred blandness of saxophonists posturing for position on the jazz stage with technique to spare and a full store of generic ideas, stand a few risk takers who don't seem to be the least bit concerned with tired jam session worthiness. Such an artist is alto saxophonist Sarah Manning whose third ...

327

Article: Album Review

Lady K and the Kings of Swing featuring Dale Head: Live at the Blackhawk

Read "Live at the Blackhawk" reviewed by Raul d'Gama Rose


An album of show tunes and film songs is not necessarily a bad thing, and when the music is performed with finesse and a certain pizzazz, it can be downright enjoyable. This certainly is the case with Lady K and The Kings of Swing Live at the Blackhawk. The big band is based on the West ...

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Article: Album Review

Dave Glasser: Evolution

Read "Evolution" reviewed by Dan Bilawsky


Alto saxophonist Dave Glasser might have been born at the wrong time. While he is performing and recording some terrific music in the 21st century, his stylistic preferences lean heavily on the music of the 1940s and '50s. Glasser spent ample time over the past two-plus decades performing with Clark Terry, Illinois Jacquet, and Barry Harris, ...

262

Article: Album Review

Vittorio Gennari: Melodies

Read "Melodies" reviewed by Chris Mosey


Altoist Vittorio Gennari is scarcely a household word among jazz fans in his native Italy, let alone the wider world. Arriving on the scene late in life, after a long career playing in dance bands, Gennari was in his seventies when he cut his first record as a leader, The Sound (Red, 2006). Now, aged 76, ...


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