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Results for "Johnny Hodges"
Jon Hamar: Hymn
by C. Michael Bailey
Origin Arts bassist Jon Hamar effects an intimate trio with alto saxophonist Todd DelGiudice and pianist Geoffrey Keezer on Hymn. Heard most recently, prior to this date, on Richard Cole's Inner Mission (Origin Records, 2007), Hamar's Hymn is heavy on introspective yet muscular originals, as Hamar also chooses some sturdy standards upon which to improvise.
"Complete" Louis, Duke, Bessie and Charlie Boxes Coming in October
The ultimate year-round jazz festival of Legacy Recordings continues to set a new industry standard with four more Complete Album Collections from the Sony Music archives family of labels, by the greatest names in jazz and blues: LOUIS ARMSTRONG – THE COMPLETE OKeh COLUMBIA & RCA VICTOR RECORDINGS 1925-1933 (OKeh/Columbia/RCA/Legacy) 10 titles, 10 CDs; CHARLIE CHRISTIAN ...
Mark Masters Ensemble: Ellington Saxophone Encounters
by Edward Blanco
Longtime big band arranger/bandleader Mark Masters happens to be President of the Pasadena, CA-based non-profit American Jazz Institute (AJI), while baritone saxophonist great Gary Smulyan sits on its Advisory Board. Together, the two have often joined forces on musical projects intended to foster and promote jazz; Ellington Saxophone Encounters is another one of their AJI collaborations, ...
Mark Masters Ensemble: Ellington Saxophone Encounters
by Dan Bilawsky
Countless albums have been made with the sole intention of honoring the great Duke Ellington by highlighting his personality, piano skills and pile of hits, but they don't tell the whole story; part of his legacy rests with the men who brought his music to life. The individuals who filled out the roster in Ellington's illustrious ...
Goodbye Phoebe and Hello Timme
by Dan Morgenstern
Phoebe Jacobs, who left us on April 9, 2012 just a couple of months shy of 94, was a most remarkable lady who did so much for the music and its makers, as so well-documented in last month's Big Band in the Sky.I first encountered Phoebe when she was handling press and taking care ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Ehud Asherie with Harry Allen: Upper West Side
by Dan Bilawsky
The closing track on pianist Ehud Asherie's Modern Life (Posi-Tone, 2010), whether intentional or not, came to serve as musical foreshadowing for this album. Modern Life has Asherie leading a crack quartet through a program of largely lesser-performed gems by cream-of-the-crop composers like George Gershwin, Jerome Kern and Tadd Dameron, but when the album reaches its ...
New World Jazz Composers Octet: Breaking News
by Andrew J. Sammut
The New World Jazz Composers Octet thrives on the old school idea of jazz composition as conduit to great jazz performance, and its third album, Breaking News, puts theory to practice from the outset with Matthew Nicholl's “Poco Picasso." The jutting melodic angles and tightly orchestrated front line arrest on their own merits, while also spurring ...
Johnny Hodges: Second Set
by David Rickert
Johnny Hodges Second Set Avid Records 2011 Alto saxophonist Johnny Hodges left Duke Ellington's band in 1951 feeling underappreciated and underpaid and convinced that he would have better luck on his own. Unfortunately he was never able to turn his considerable artistry into a lucrative career, and was back with ...
