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Video: Johnny Hodges, 1969
Johnny Hodges was an alto saxophonist who joined Duke Ellington in 1928 and developed a sweet, high-vibrato sound popularized in the 1930s by Benny Carter. He also was one of the smoothest swing improvisers on the instrument, praised by reed masters from Benny Goodman to Charlie Parker. Yesterday, I spent a few hours listening to “Rabbit," ...
Clayton-Hamilton Jazz Orchestra at Mesa Arts Center
by Patricia Myers
Clayton-Hamilton Jazz Orchestra Mesa Arts Center Mesa, Arizona March 7, 2014 The Clayton-Hamilton Jazz Orchestra, one of the best big bands in the nation for three decades, swung mightily all night long with strong section work and stylish solos arranged for specific members, per Duke Ellington and Count Basie. A brief ...
Vittorio Gennari: Blues
by C. Michael Bailey
Italian alto saxophonist Vittorio Gennari manages to keep together his band from his 2010 Melodies for another run on Blues, a recording he nominally shares with vibraphonist Daniele Di Gregorio. The two survey the sacred twelve bars much in the same way as Jackie McLean on his 1961 Bluesnik (Blue Note) or Jimmy Smith on Six ...
John Stowell / Dave Liebman: Blue Rose (2013)
by Victor L. Schermer
In the search for enriched jazz expressiveness, the duet format has been revived, giving the musicians greater space for improvising than a larger group and avoiding the overpowering influence of a rhythm section, while affording an opportunity to engage personalities and “swap notes" with another whose ideas and style are of special interest. Iconic saxophonist Dave ...
Jaleel Shaw: Philly Soul
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...
Steve Wilson: Lifetime of Study
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in ...
Ron Aprea: Passion Supreme
by Nicholas F. Mondello
Ron Aprea is a saxophonist's saxophonist. After all, none less than the late, great Frank Foster called him friend, confidant, section mate and leader. And Foster wasn't alone in this regard. Aprea has been a mainstay and graced the sax section in the bands of Lionel Hampton, Woody Herman and many others. A multi-faceted musician with ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
Gilad Edelman: My Groove, Your Move
by David A. Orthmann
Gilad Edelman is the son of Marc Edelman, the brains and will behind Sharp Nine Records, a fiercely independent label which has produced some of the finest straight-ahead jazz records of the past fifteen years. Despite limited resources and operating in the midst of the industry's severe downturn, Sharp Nine has released impressive recordings by significant, ...
Jimmy Ponder: His Recorded Output
by Colter Harper
Jazz history has been intimately tied to its recorded output. Styles and genres are defined by landmark records, which stand responsible for representing the diffuse activities and artistic visions of a given musical community or individual. However, recordings are not simply glimpses of past musical realities but rather images of those realities filtered through various “lenses." ...
