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Kenny G: Playin' It Straight
by Ken Dryden
Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathing—a technique Clark Terry and Rahsaan Roland Kirk ...
Monterey on Tour In BR, Wayne and More
by Marc Cohn
Monterey on Tour came to Baton Rouge March 28, 2019 @ the Manship Theatre & what a lineup: Cecile McLorin Salvant, Bria Skonberg, Melissa Aldana, Christian Sands, Yasushi Nakamura, Jamison Ross...Whew. It's good & we've got tracks from all of them right here, as well as a deep dive to the vault, Sonny Rollins first recording ...
Small Groups of the 1930s – Benny Goodman, Django Reinhardt, and John Kirby (1934 - 1941)
by Russell Perry
In the last hour we heard from prominent Swing Era soloists Chu Berry, Roy Eldridge, Johnny Hodges and Lester Young, featured in small group settings. Continuing in the small group vein, in this hour we'll hear from the Benny Goodman Trio, Quartet and sextet, Django Reinhardt and le Quintette Du Hot Club de France avec Stéphane ...
Small Groups of the 1930s – Chu, Little Jazz, Rabbit and Pres (1937 - 1940)
by Russell Perry
While the jazz of the thirties was predominantly remembered as coming from orchestras and big bands, seminal soloists continued to record memorable music in small group settings, setting the stage for disruptive industry transitions to come in the 1940s. Small groups led by Chu Berry, Roy Eldridge, Johnny Hodges and Lester Young in this hour of ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Eric Bernhardt: The Four Sidemen Of The Apocalypse
by Rob Rosenblum
On the surface, Eric Bernhardt is one of the many faceless, aspiring jazz musicians who hit the clubs on Frenchman Street in New Orleans, playing for tips and hoping to get noticed. What separates him from the rest is that he is a monster jazz musician. Recently encountered in a desperate-looking club called the ...
Classic vinyl remasterings from Storyville
by Chris Mosey
In time for the festive season, the Copenhagen label Storyville is reissuing three classic albums from its archives remastered on 180-gram vinyl: Charlie Parker In Sweden, 1950; Ben Webster Plays Ballads; and Sahib Shihab's “lost" minor masterpiece Sentiments. The Charlie Parker album was recorded on November 24, 1950 at a concert in the ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
Al Muirhead's Canadian Quintet: Undertones
by Dan McClenaghan
Swing was the thing, until alto saxophonist Charlie Parker, trumpeter Dizzy Gillespie, and pianist Bud Powell helped give birth to bebop, and alto saxophonist Ornette Coleman set jazz free. Not that swing ever went away, it just got bumped into the back seat. So when “Confirmation" and “Dance of the Infidels" wailed on the dashboard radio, ...
George Wein: A Life and Legend in Jazz
by Doug Hall
Last summer, in June of 2017, I had the privilege and opportunity to interview George Wein, founder and producer of the seminal Newport Jazz Festival. At 91, he was just in the process of supporting and transitioning the new artistic director Christian McBride into this demanding and critical role for the future of the Newport Jazz ...
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