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Nick Weldon: Eleven Flames
by Roger Farbey
Nick Weldon is best known as a pianist and in that context has accompanied some of the biggest names in jazz including Sonny Stitt, Johnny Griffin and Jimmy Witherspoon. However on this album he plays bass. He's had classical training on the instrument and in addition to jazz dates, he continues to play in orchestras. But ...
Simon Toldam Trio: Omhu
by Jakob Baekgaard
The bebop and hard bop revolution of the forties and fifties made speed a virtue as razor-sharp unison lines cut through the rhythms. A saxophonist like Johnny Griffin was praised for his fast way of playing that also underlined his technical virtuosity, and the muscular style signaled a music completely in touch with modernity.
Jazz is Mod: An Introduction to the Mod Jazz Series
by Jakob Baekgaard
In England there is a solid tradition for crate digging and appreciation of American music. In fact, the whole idea of Northern Soul is based on the concept of English hipsters digging out rare soul gems in the sixties and giving them new life on the dance floor. However, the English mod scene, as it was ...
CTI on BGO
by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Paul Heller: Paul Heller Meets Roman Schwaller
by Jack Bowers
Granted, Paul Heller meeting Roman Schwaller isn't such a big deal here in the States. It is, however, quite a big deal in Germany and western Europe as a whole where Heller and Schwaller are among the reigning monarchs of the tenor saxophone, akin to such American twosomes as Ammons / Gordon, Sims / Cohn or, ...
Thelonious Monk Inside Out: A Fresh Perspective On His Music
by Victor L. Schermer
Over the years, Thelonious Monk has resided in our collective minds and hearts like the extra-terrestrial “E.T." or Holden Caulfield from Catcher in the Rye, or some such alien figure whom we don't fully understand yet love and enjoy. His music shocks and disturbs us, yet we take great pleasure in it like a jolting ride ...
2017 Howard University Jazz Ensemble: A Tribute to Geri Allen
by Jack Bowers
Pianist / composer Geri Allen, one of the Howard University Jazz Studies program's distinguished alumnae, left us far too soon, succumbing to cancer on June 27, 2017, two weeks after her sixtieth birthday. During a career that spanned more than thirty-five years, Allen performed and recorded with a who's who of renowned jazz artists from Ron ...
Johnny Griffin: At Onkel Pö's Carnegie Hall
by Stefano Merighi
Quando queste tracce vengono registrate ad Amburgo, nel 1975, il jazz è forse nel suo momento più critico, abbandonato da ampie fette di pubblico, sedotto o dalla più muscolare fusion o dal rock progressivo. A dispetto della nascita di decine di nuove formazioni e dell'incremento delle produzioni discografiche, specie negli Usa si era perso quel senso ...
Michael Weiss: Building an Identity
by Luke Seabright
Michael Weiss is a jazz pianist and composer. His mastery of the hard bop style (he cites Horace Silver as one of his greatest influences), as well as his breadth of experience accompanying some of jazz's most acclaimed soloists, have made him a key figure in the New York jazz scene. His long-standing association with saxophonist ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
