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The Jazz Book
by David Rickert
The Jazz Book Joachim-Ernst Berendt and Gunther Huesmann Softcover; 816 pages ISBN: 155652823X Lawrence Hill Books 2009 The first edition of The Jazz Book came out in 1952, the earnest work of European jazz scholar Joachim-Ernst Berendt. At the time, of course, saxophonist Charlie Parker and ...
Susie Ibarra: Drum Sketches
by Karl Ackermann
When some of jazz music's more adventurous drummers want to showcase their talents, they usually do so in tandem with another player who, ideally, has enough brand equity to generate collateral interest. Solo percussion recordings rarely generate a queue on release--in large part due to the absence of melody and the almost ubiquitous presence of discordant ...
Greg Kelley: Flesh to Metal
by Gordon Marshall
Boston trumpeter Greg Kelley takes an atom and constructs a world out of it. Taking his cue from the metallic tubes of his instrument and how they are connected to his mouth, and ultimately his body, his sounds are never wholly disembodied but rather maintain the precise quality of that apparatus that, in his hands, is ...
Thomson Kneeland: Mazurka For A Modern Man
by Dan Bilawsky
It wouldn't be unusual to think that the mastermind behind Mazurka For A Modern Man played trumpet or guitar. While bassist Thomson Kneeland wrote eight of these compositions, which touch on everything from Balkan folk music and klezmer, to chamber music and indie rock, he often lurks in the background while guitarist Nate Radley and trumpeter ...
Jim Staley: Scattered Thoughts
by Kurt Gottschalk
Jim Staley's career has been either made by or hastened by (or more likely both) his work as a producer and promoter. He rarely performs outside of Roulette, the longstanding Downtown venue he oversees and appears there only a few times a year at best. His recorded output is largely limited to occasional releases on Einstein ...
Clarinetist Ben Goldberg Interviewed at AAJ
The diversity of clarinetist Ben Goldberg's musical interests may only be matched by the intensity of his study. He grew up on The Beatles and classic jazz, started playing Klezmer music at the University of California, Berkeley in the early '80s, and studied with renowned classical clarinet teacher Rossario Mazzeo. In 1984, he became the clarinetist ...
Ben Goldberg: Clarinet Communion
by Warren Allen
The diversity of clarinetist Ben Goldberg's musical interests may only be matched by the intensity of his study. He grew up on The Beatles and classic jazz, started playing Klezmer music at the University of California, Berkeley in the early '80s, and studied with renowned classical clarinet teacher Rosario Mazzeo. In 1984, he became the clarinetist ...
Ben Goldberg's Bag: Tin Hat & Go Home
by Dan Bilawsky
Ben Goldberg's music has never followed a set course or formula and the forward-thinking clarinetist always sticks to his guns when making artistic decisions. This has often resulted in positive press for his innovative work and it appears to have propelled him to take control of his own destiny. BAG Production Records is Goldberg's new, self-created ...
The Necks, Weasel Walter, Butch Morris & Lou Reed
by Martin Longley
The NecksIssue Project RoomJanuary 27, 2010 There was a moment right at the brink of The Necks starting up their first set, where the notion hit: what if they can't think of anything? What if they can't begin? What if, finally, after more than two decades, this same familiar familial ...
John Zorn: Femina
by Martin Longley
There are two notable elements to this album, before even listening to its contents. One is that composer John Zorn has created a work that pays tribute to female creators (his name checks include Yoko Ono, Agatha Christie and Joan Of Arc). The other is that he's making a return to his fabled file-card system of ...
