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Re:konstruKt: New Music Online from Istanbul
by Gian Paolo Galasi
The online independent label re:konstruKt was founded in 2008 by Umut Çağlar, an Istanbul-based guitarist and leader of the konstruKt quartet. The label was formed few months after the band's first rehearsals. Its initial purpose was to document the evolution of the Istanbul experimental scene.Çağlar's development as a musician is a good example of ...
Stefan Zeniuk: Gato Loco
by Dan Bilawsky
If Danny Elfman, Marc Ribot, Ennio Morricone, Ry Cooder and Bobby Sanabria ever put together a band, it might sound something like Gato Loco. This eleven-piece unit, under the direction of saxophonist-composer Stefan Zeniuk, creates Latin-influenced carnival jazz with a punk attitude, and they seem to have a great time while doing it. ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...
John Zorn - Masada Guitars (2003)
By Mark Saleski John Zorn's Masada is an interesting group. The way I've come to describe them is “Ornette Coleman-listens-to-klezmer." While that's not the only way to get there, it'll do. Pick any recording from the Masada series and you'll hear some fine interplay between Zorn's sax, the trumpet of Dave Douglas and Greg Cohen's bass. ...
Pitom: Blasphemy and Other Serious Crimes
by Glenn Astarita
Recorded for John Zorn's Tzadik Records, and sustaining the spirit of radical Jewish music, Pitom's second album is a psychodramatic crash-and-burn event. Spanning Sonic Youth-like reckless abandon, hardcore grunge, jazz improvisation and the blasphemous morphing of traditional Jewish music stylizations with jazz-rock, the unit abides by a take-no-prisoners approach. Offering an antithesis to the norm, with ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
Aram Bajakian's Kef: New Sounds from the Armenian Diaspora
by Chris May
Aram BajakianAram Bajakian's KefTzadik2011 Itself born out of traditional music, jazz has over the last hundred years often enriched itself with folk infusions. In the 1930s, the Gypsy jazz of guitarist Django Reinhardt enlivened the European scene. Contemporaneously, the country swing of bands such as Bob Willis ...
Erik Friedlander: Bonebridge
by Troy Collins
The quartet featured on Bonebridge is an augmented variation of cellist Erik Friedlander's Broken Arm Trio. The group, with bassist Trevor Dunn and drummer Mike Sarin, was originally conceived in tribute to Oscar Pettiford's cello experiments--which were undertaken in 1949 when the legendary bassist played the smaller instrument while recovering from a baseball injury. Refraining from ...
Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
Sebastian Rochford & Pamelia Kurstin: Ouch Evil Slow Hop
by Chris May
Sebastian Rochford & Pamelia KurstinOuch Evil Slow HopSlow Foot Records2011 For eighty years, the Theremin has hovered on the fringes of music like a freak show exhibit at a carnival. Since its invention by Leon Theremin in 1928, it has been used mainly for novelty and, occasionally ...
