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8

Article: Radio & Podcasts

When Jazz Pops, Part 2

Read "When Jazz Pops, Part 2" reviewed by Ludovico Granvassu


Ornette Coleman playing for Lou Reed? Or the Sun Ra Arkestra together with Steven Bernstein's Sexmob Orchestra backing U2 courtesy of Hal Willner? And Kenny Wheeler collaborating with both David Sylvian and Joni Mitchell? This and many more fascinating collaborations between jazz masters and pop and rock musicians in this playlist.Happy listening!Playlist ...

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Article: Radio & Podcasts

When Jazz Pops, Part 1

Read "When Jazz Pops, Part 1" reviewed by Ludovico Granvassu


This week's playlist focuses on the contribution of jazz musicians to pop, hip-hop, and rock projects, from the Art Ensemble of Chicago playing with French singer Brigitte Fontaine, to John Zorn featured on the debut album by the Brazilian queen Marisa Monte and The Thing's mighty alliance with Neneh Cherry. And a tribute to the late ...

7

Article: Album Review

Stephan Crump: Wandersphere

Read "Wandersphere" reviewed by Mark Corroto


Let's play a game. Call it “Is it improvised or composed?" Today's contestants are the Borderlands Trio, comprised of bassist Stephan Crump, pianist Kris Davis, and drummer Eric McPherson. Their release Wandersphere, recorded in December, 2020, consists of four tracks on two CDs. Four lengthy tracks, the shortest nearly twenty minutes and the longest at forty-one ...

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Article: Interview

Unscientific Italians: Frisellian Magic

Read "Unscientific Italians: Frisellian Magic" reviewed by Ludovico Granvassu


If Italian film director Nanni Moretti had been born in 1973 instead of 1953, he might well have set the iconic Vespa ride through the empty streets of a languid, mid-August Rome in Caro Diario against a Bill Frisell rather than a Keith Jarrett soundtrack. Because if every era is defined by a limited ...

4

Article: Album Review

Barry Altschul's 3Dom Factor: Long Tall Sunshine

Read "Long Tall Sunshine" reviewed by John Sharpe


Even deep into a career which began with the Jazz Composers Orchestra and pianist Paul Bley in the 1960s, drummer Barry Altschul's music remains vital and compelling. Since 2010 his primary leadership outlet has been The 3Dom Factor, a freewheeling threesome completed by bassist Joe Fonda and reedman Jon Irabagon. Long Tall Sunshine, a live date ...

6

Article: Multiple Reviews

Two William Parker Trios

Read "Two William Parker Trios" reviewed by Jerome Wilson


The prolific bassist and composer William Parker has been making music with groups of all sizes and configurations for decades, Here are two new releases featuring him in wildly divergent trios. William Parker Painters Winter AUM Fidelity 2021 On this CD Parker teams up with two long-time ...

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Article: Building a Jazz Library

Unconventional Instruments

Read "Unconventional Instruments" reviewed by Karl Ackermann


ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...

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Article: Album Review

Julian Lage: Squint

Read "Squint" reviewed by Mario Calvitti


Dopo aver scritturato negli scorsi anni due chitarristi di indubbio valore come Nels Cline e Bill Frisell, la Blue Note mette a segno un nuovo colpo assicurandosi i servigi di un altro virtuoso della sei corde, l'ex enfant prodige Julian Lage (che in realtà era già comparso in un titolo della label al fianco proprio di ...

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Article: Album Review

Anna Webber: Idiom

Read "Idiom" reviewed by Mark Corroto


Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True ...

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Article: Interview

Gli Unscientific Italians e l'arte della meta-sintesi Friselliana

Read "Gli Unscientific Italians e l'arte della meta-sintesi Friselliana" reviewed by Ludovico Granvassu


Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...


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