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Results for "John Stubblefield"
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...
On The Road With The Asian Jazz All-Stars Power Quartet
by Ian Patterson
Though it was only a 12-hour flight from Singapore to London, for Singaporean organist/pianist Jeremy Monteiro, Philippine tenor saxophonist Tots Tolentino, Hong Kong guitarist Eugene Pao and Thai drummer Chanutr Techatana-nan--who together make up the Asian Jazz All-Stars Power Quartet--the journey has, in some ways, been a much longer one; you could say it's a journey ...
Sumi Tonooka: NOW: Solo Live at the Howland Cultural Center
by Jeff Dayton-Johnson
There are some jazz players who suffer an unusually large gap between their credentials and their renown. Pianist Sumi Tonooka is a case in point. She studied with Mary Lou Williams, made her recording début with Detroit trumpeter Marcus Belgrave (of Motown/Tribe Records fame), and was part of Philly Joe Jones's band. Two especially strong albums--Long ...
Sumi Tonooka: Now
by Dan McClenaghan
Sumi Tonooka is a resourceful jazz pianist who, along with alto saxophonist Chris Burnett and tenor saxophonist Erica Lindsay, started the Artists Recording Collective, offering up Initiation (2010), an excellent quartet outing which Tonooka co-led with Lindsay, and a more intimate Tonooka-led trio effort, Long Ago Today (2008). A former student of piano legend Mary Lou ...
Patrick Brennan: Rhythms of Passion
by Ludwig vanTrikt
Since moving to New York City in 1975, one-time bassist/painter Patrick Brennan has crafted a musical path that is open in its candor and indebtedness to all facets of black music. Much like trumpeter Wadada Leo Smith, the alto saxophonist brews a thicket of his own distinct musical language that “unlike much contemporaneous vanguard music is ...
Lauren Sevian: Big Voice on the Big Horn
by R.J. DeLuke
Swaying slightly, with eyes closed, Lauren Sevian pours a lot of heart and grit into the big, baritone saxophone--the largest of the most commonly played saxophones and an axe that looks even more considerable when seen against her small frame. She comes out with an imposing sound and welcoming style, put forth through a striking conception. ...
Anthony Braxton: Trio & Quintet (Town Hall) 1972
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by Troy Collins
Time has an ability to obscure certain details of the past. This notion is apparent when considering the multi-decade oeuvre of visionary composer Anthony Braxton, whose restructuralist Tri-Axium Theory is as unique as Ornette Coleman's Harmolodic Theory or Cecil Taylor's Unit Structures. Braxton's use of pulse structures and multiple logics has long encouraged a considerable amount ...
Anthony Braxton: Trio & Quintet (Town Hall) 1972
by Mark Corroto
Maybe the world wasn't ready for the music of Anthony Braxton back in 1972, when this concert was recorded, and maybe it wasn't ready for him, when it was released twenty years later in 1992. Then again, is it really ready for him today? Certainly, and this music is very accessible. This beautifully remastered ...
Take Five With Boris Kozlov
by AAJ Staff
Meet Boris Kozlov: Currently serving as a bassist, arranger and Musical Director for the Mingus Big Band, Mingus Dynasty and The Orchestra, as well as leading his own projects, he has also been a first-call bassist for such important jazz acts as Michael Brecker, John Blake, Ray Barretto's New World Spirit, Lew Tabackin, David Kikoski, Alex ...
Jeremy Monteiro: Golden Year Inaugural Volume 1
by Ian Patterson
Jeremy Monteiro has come a long way since starting out as a professional jazz pianist when not quite seventeen, back in 1977. As a leader, he's recorded over twenty albums, though it wasn't until Homecoming (Jazznote, 2007) that he released one of all-original compositions. A fine interpreter of The Great American Songbook, Monteiro is also a ...
