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Zlatko Kaućić: Diversity
by John Sharpe
Slovenian percussionist Zlatko Kaučič learned his craft in the diverse jazz scenes of Barcelona, Berlin, and Amsterdam before returning to his newly independent homeland in 1992. He collaborated extensively with local musicians as well as illustrious visitors such as Steve Lacy, Paul Bley, Chico Freeman, Kenny Wheeler, and Paul McCandless, often utilizing composition and poetic texts. ...
Martin Kuchen: Baza
by John Sharpe
On Baza Swedish reedman Martin Küchen joins forces with Polish acoustic bass guitarist Rafal Mazur for a seat-of-the-pants duet, recorded live at the titular Krakow club. Issued as a limited edition LP, but also available as a download, the program contains two cuts also named after the venue. While Küchen may be best known for his ...
Jones Jones: A Jones In Time Saves Nine
by John Sharpe
Over a decade in existence and the free jazz trio Jones Jones has just dropped its third album. That's not exactly prolific, but may well be an accurate reflection of the challenge implicit in bringing together colleagues separated by the 5795 miles between reedman Larry Ochs and bassist Mark Dresser in California, and percussionist Vladimir Tarasov ...
Michael Formanek Elusion Quartet: Time Like This
by John Sharpe
Bassist Michael Formanek has become a major presence on the NYC scene over the last decade, both as a forward-looking bandleader and a sideman. His two small-group offerings, The Rub And Spare Change (2010) and Small Places (2012), both on ECM, were justly feted and lead to the acclaimed big-band set The Distance (2016) by his ...
Marion Brown / Dave Burrell: Live at the Black Musicians' Conference, 1981
by John Sharpe
Once again the Lithuanian NoBusiness team has unearthed a jewel from the archives, this time an unissued live recording by two masters of the 1960s New Thing who thrived thereafter. Alto saxophonist Marion Brown, a participant on John Coltrane's legendary Ascension (Impulse, 1965), and pianist Dave Burrell, a stalwart of Archie Shepp's outfits, combined on a ...
Riverloam Trio: Live At The Alchemia
by John Sharpe
Recorded at Krakow's legendary jazz club, Live At The Alchemia constitutes the third outing from what has become a perfectly-balanced unit, following the eponymous Riverloam Trio (NoBusiness, 2012) and Inem Gortn (FMR, 2014). Although, traditionally, Polish reedman Mikolaj Trzaska might be seen as the apex of a musical pyramid, supported by the solid foundation provided by ...
Paul Rogers / Olaf Rupp / Frank Paul Schubert: Three Stories About Rain Sunlight And The Soil
by John Sharpe
It's always a pleasure to hear expat English bassist Paul Rogers, perhaps best known for his collaboration with reedman Paul Dunmall and the Mujician co-operative. This meeting with two stalwarts of the German improvised music scene in a Berlin studio imparts a particular delight. Guitarist Olaf Rupp boasts a healthy discography including performances with drummer Paul ...
Ken Vandermark / Nate Wooley / Sylvie Courvoisier / Tom Rainey: Noise Of Our Time
by John Sharpe
This summit of talent actually delivers what the title promises. The quartet creates an all-encompassing portrait of the state of the art, in which what might be thought noise is adroitly recontextualized in a musical situation. In a way that's what the members have been doing throughout their illustrious careers. Given their daunting skills as improvisers, ...
Dave Rempis: Icoci
by John Sharpe
In avant jazz, as in other artistic endeavors, talent alone isn't enough. Success requires a large slice of luck too. Chicago-based reedman Dave Rempis knows that as well as anyone. As a consequence he works hard at making his own luck: he concentrates on running a string of regular outfits; assembles a network of supportive venues; ...
Fish-scale Sunrise: No Queen Rises
by John Sharpe
Dutch reedman Ab Baars goes out of his way to avoid sentiment in his playing. He plots courses that veer willfully from melodic to shrill, but always remains in control. The most striking aspect of Fish-scale Sunrise, named after a poem by Wallace Stevens, is how much this approach to improvising is reflected in his composing ...
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